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About: Nicola Matteis     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat17th-centuryItalianPeople, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatBaroqueComposersyago:WikicatClassicalViolinistsyago:Absentee109757653yago:Artist109812338yago:CausalAgent100007347yago:Composer109947232yago:Creator109614315yago:Entertainer109616922yago:Exile110071332yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:WikicatItalianClassicalViolinistsyago:WikicatItalianComposersyago:WikicatItalianExpatriatesInEnglandyago:YagoLegalActoryago:YagoLegalActorGeoyago:Traveler109629752yago:Violinist110754578yago:Whole100003553yago:Wikicat17th-centuryItalianPeople New Facet based on Instances of this Class

Nicola Matteis (Matheis) (fl. c. 1650 – after 1713) was the earliest notable Italian Baroque violinist in London, whom Roger North judged in retrospect "to have been a second to Corelli," and a composer of significant popularity in his time, though he had been utterly forgotten until the later 20th century. Matteis enjoyed great artistic and commercial success with his published music, notably four books of Ayres (1676, 1685), but married a rich widow in 1700 and retired from the London musical scene; according to North he nevertheless ended his days in ill health and poverty.