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Moniot de Paris (fl. post-1250) was a trouvère and probably the same person as the Monniot who wrote the Dit de fortune in 1278. He was once thought to have flourished around 1200, but his dates have been pushed back.

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  • Moniot de Paris (it)
  • Moniot de Paris (en)
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  • Moniot de Paris (fl. post-1250) was a trouvère and probably the same person as the Monniot who wrote the Dit de fortune in 1278. He was once thought to have flourished around 1200, but his dates have been pushed back. (en)
  • Moniot de Paris (... – ...; fl. dopo il 1250) è stato un troviero ed era probabilmente lo stesso Monniot che scrisse il Dit de fortune nel 1278.Una volta si era pensato che fosse vissuto intorno al 1200, ma attualmente questa datazione è stata rifiutata. (it)
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  • Moniot de Paris (fl. post-1250) was a trouvère and probably the same person as the Monniot who wrote the Dit de fortune in 1278. He was once thought to have flourished around 1200, but his dates have been pushed back. Moniot wrote nine surviving pieces: three pastourelles, one , one , and four enigmatic rotrouenges that are not of the grand chant variety. Throughout, his work represents a blurring of the traditional boundaries between genres. One modern scholar, J. Frappier, has gone so far as to identify in him a new conception of courtly love: une courtoisie embourgeoisée (a bourgeoisie courtliness). Moniot represents a "low style" or "less refined lyricism". His themes, both lyric and musical, are light in tone. He uses refrains (such as the onomatopoeic "Vadu, vadu, vadu, va!") in nearly all his works and his melodies are simple in the extreme, with repeated notes, repeated phrases, and small intervals. These melodies were popular nonetheless: Moniot reused one and four of them have later contrafacta. (en)
  • Moniot de Paris (... – ...; fl. dopo il 1250) è stato un troviero ed era probabilmente lo stesso Monniot che scrisse il Dit de fortune nel 1278.Una volta si era pensato che fosse vissuto intorno al 1200, ma attualmente questa datazione è stata rifiutata. Moniot scrisse nove componimenti tuttora esistenti: tre pastourelles, una , una , e quattro enigmatiche rotrouenges che non appartengono alla varietà del grand chant. Ovunque, la sua opera rappresenta un offuscamento dei confini tradizionali tra i generi. Uno studioso moderno, J. Frappier, si è spinto avanti fino a identificare in lui una nuova concezione dell'amor cortese: une courtoisie embourgeoisée (una cortesia imborghesita). Moniot rappresenta uno "stile basso" o un "lirismo meno raffinato". I suoi temi, sia lirici sia musicali, sono leggeri nel tono. Egli usa i ritornelli (come l'onomatopeico "Vadu, vadu, vadu, va!") in quasi tutti i suoi componimenti e le sue melodie sono estremamente semplici, con note e frasi ripetute, e brevi intervalli. (it)
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