About: Minhwa     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Relation100031921, within Data Space : dbpedia.org associated with source document(s)
QRcode icon
http://dbpedia.org/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FMinhwa

Minhwa refers to Korean folk art produced mostly by itinerant or unknown artists without formal training, emulating contemporary trends in fine art for the purpose of everyday use or decoration. The term "minhwa" was coined by Yanagi Muneyoshi. After a decline during the colonial rule, the art form experienced a short boom until laid low by the Korean War. In the 1980s, though, there was a revival of Minhwa, the interest and popularity of which persists to this day.

AttributesValues
rdf:type
rdfs:label
  • Minhwa (de)
  • Minhwa (es)
  • Minhwa (it)
  • Minhwa (fr)
  • 朝鮮民画 (ja)
  • Minhwa (en)
  • 민화 (ko)
  • Minhwa (pl)
rdfs:comment
  • Minhwa (koreanisch 민화, wörtlich „Volksmalerei“) ist eine Art Genremalerei in Korea, in der der Wunsch nach einem glücklichen Leben zum Ausdruck gebracht wird. (de)
  • Minhwa (hangul : 민화 ; hanja : 民畵 ; sinogrammes traditionnels : 民畫 ; sinogrammes simplifiés : 民画 ; pinyin : mínhuà) est un terme coréen désignant les images d'art populaire. Cette forme d'art populaire coréen est produite principalement par des artistes itinérants ou inconnus sans formation savante, imitant les tendances contemporaines dans les beaux-arts à des fins d'utilisation quotidienne ou de décoration. (fr)
  • 민화(民畵)는 한 민족이나 개인이 전통적으로 이어온 생활 습속에 따라 제작한 대중적인 실용화이다. (ko)
  • Minhwa – koreańskie malowidła ludowe. Sztuka malowania minhwa ma rodowód XVII-wieczny, w czasach panowania Japończyków w Korei podupadła, swój renesans przeżywa począwszy od lat 80. XX wieku. (pl)
  • Minhwa (en alfabeto hangul:민화, hanja: 民畵) es un símbolo, signo y representación de la pintura coreana que normalmente representa los objetos de las figuras mitológicas y los animales en el estilo nativo coreano.​ (es)
  • Minhwa refers to Korean folk art produced mostly by itinerant or unknown artists without formal training, emulating contemporary trends in fine art for the purpose of everyday use or decoration. The term "minhwa" was coined by Yanagi Muneyoshi. After a decline during the colonial rule, the art form experienced a short boom until laid low by the Korean War. In the 1980s, though, there was a revival of Minhwa, the interest and popularity of which persists to this day. (en)
  • L'arte minhwa è una delle manifestazioni più interessanti della cultura della Corea e si riferisce all'arte popolare di quel paese, consistente nel dipingere figure mitiche e altri oggetti con uno specifico stile semplice.Si è sviluppata, nella forma presente, nel diciassettesimo secolo. Gli artisti minhwa erano gente comune, che andavano di luogo in luogo, spesso seguendo i festival, dove essi dipingevano per gli abitanti locali, eseguendo i dipinti su ordinazione lì per lì. Anche scene di vita importanti erano il soggetto delle pitture minhwa. Sia la gente comune che i nobili commissionavano questi artisti. (it)
  • 朝鮮民画(ちょうせんみんが)は、朝鮮の庶民の実用的な民俗絵画である。結婚や還暦などの儀礼、装飾、魔よけ、開運などの実用的な目的のために、屏風や掛軸にしたり、壁に貼ったりして用いられる。 表現は稚拙ではあるが、滑稽味があり、素朴で大胆なところが、独特の味わいを出しているものが多い。宮廷付属のの画家や両班の文人が描いた芸術的鑑賞の対象である正統絵画とは異なり、一般的に朝鮮民画には画家の署名や落款はなく、いつ誰が描いたのかは分からない。 民画という言葉は、民芸運動の創始者である日本人の柳宗悦が、日本の大津絵などの民俗絵画を指して使い始めたものである。柳は、日本統治時代の朝鮮でも美術品を収集研究し、朝鮮民画の収集研究も始めた。柳によって、それまでは収集研究の対象とは考えられていなかった朝鮮民画が、注目され収集研究の対象となった。 朝鮮民画の種類は多いが、大きく分ければ、道教系、仏教系、儒教系、装飾系に分けられる。虎の絵は、朝鮮民画の最も代表的なものである。鵲と虎を一緒に描いた鵲虎図や、山神が虎を従えた山神図などがある。長生図は、長寿の象徴である、鶴、亀、鹿、松、竹、などを描いたものである。青竜、白虎、朱雀、玄武などの方位神や、十二支神、竜、鳳凰、麒麟などを描いた物もある。山水画、動物画、植物画なども多いが、独特の物として、文字を絵にした文字図や、本などを乗せた棚を描いた冊架図がある。 * * (ja)
differentFrom
rdfs:seeAlso
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Gammo_yeojaedo-03.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Gukjeongchumyodo.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korea-Minhwa-Eohaedo-01.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korea-Minhwa-Hwajodo-flowers_and_birds-01.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korea-Minhwa-Jangsaeng.hwarakdo.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korea-Minhwa-Ssanghak.bandodo.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korean.Folk.Village-Minsokchon-04.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Minhwa-Chaekgeoli-01.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Minhwa-Munjado-02.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Minhwa-Munjado-05.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/강-2_1~1.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Korea-Minhwa-Magpie_and_tiger.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Songhamaenghodo.jpg
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
sameAs
dbp:wikiPageUsesTemplate
thumbnail
hanja
  • 文字圖 (en)
  • 民畵 (en)
mr
  • Minhwa (en)
caption
  • This minhwa depicts a tiger, a popular subject in Korean art. (en)
hangul
  • 꽃글씨 (en)
  • 문자도 (en)
  • 까치호랑이 (en)
  • 민화 (en)
labels
  • no (en)
RR
  • Minhwa (en)
  • kkotgeulssi (en)
width
img
  • Korean.Folk.Village-Minsokchon-04.jpg (en)
has abstract
  • Minhwa (koreanisch 민화, wörtlich „Volksmalerei“) ist eine Art Genremalerei in Korea, in der der Wunsch nach einem glücklichen Leben zum Ausdruck gebracht wird. (de)
  • Minhwa (hangul : 민화 ; hanja : 民畵 ; sinogrammes traditionnels : 民畫 ; sinogrammes simplifiés : 民画 ; pinyin : mínhuà) est un terme coréen désignant les images d'art populaire. Cette forme d'art populaire coréen est produite principalement par des artistes itinérants ou inconnus sans formation savante, imitant les tendances contemporaines dans les beaux-arts à des fins d'utilisation quotidienne ou de décoration. (fr)
  • Minhwa (en alfabeto hangul:민화, hanja: 民畵) es un símbolo, signo y representación de la pintura coreana que normalmente representa los objetos de las figuras mitológicas y los animales en el estilo nativo coreano.​ Literalmente, la palabra indica "pintura de la gente" o "Pintura popular". Generalmente, el pintor de la pintura no fue conocido, mientras que las obras representan los estilos, géneros tradicionales desde la antigüedad. Como Minhwa tuvo una fama de proteger la casay virtud a los habitantes, a la gente le gusta conservar las pinturas de minhwa. No hay límite de sujetos como grulla, piedras, agua, nubes, sol, luna y etc.​ (es)
  • Minhwa refers to Korean folk art produced mostly by itinerant or unknown artists without formal training, emulating contemporary trends in fine art for the purpose of everyday use or decoration. The term "minhwa" was coined by Yanagi Muneyoshi. Minhwa literally means "painting of the people" or "popular painting". This type of painting was often the work of anonymous craftsmen who faithfully adhered to the styles, canons and genres inherited from the past. Minhwa also involved a magical dimension. They were believed to possess beneficial virtues and to protect the owner and his family from evil forces. They feature popular themes such as cranes, rocks, water, clouds, the sun, moon, pine-trees, tortoises, insects and flowers. Minhwa means popular painting or people’s art and is traditional Korean folk art from the Chosun era (1392-1910) painted onto paper or on canvas. Yoon (2020) mentions that “Minhwa is a traditional art form that was intimately connected to the lives of the Korean people, so it best embodies the Korean sentiment” (p. 14). Minhwa began being used in palaces by royal court painters before anonymous artists adopted and dispersed their art to the populace to convey messages, ward away evil spirits, and wish for good things to happen. Minhwa art developed into its present form in the seventeenth century. The artists were common people who went from place to place, often following festivals, where they would paint for the locals, fulfilling their commissions on the spot. The artists are mostly unknown commoners of the low and middle class and some were traveling visitors usually attending festivals who followed trends in fine art to develop the crude minhwa style artwork that expressed its emotions using symbolism, optimism, humor, and satire. Important stages in life were also marked by the painting of a minhwa picture. Both common people and nobles would commission these artists. The paintings worked on a number of levels. They show figures from folk mythology and legends, symbols of happiness, wealth and health, and scenes of everyday life. The most common figures were animals that represented power, such as the tiger, or providential circumstances, such as carp, which represent success. The paintings were done on paper and on canvas. Minhwa colorfully represents the perspectives, religions, symbols of daily life and desires, and folk mythologies of its time. It featured robust animals as supernatural such as tigers, dragons, insects, and cranes, and featured colorful natural backgrounds with peonies, clouds, lotuses, water, or the sun. The unique symbolism blended Buddhism, shamanism, Confucianism, and Taoism. After a decline during the colonial rule, the art form experienced a short boom until laid low by the Korean War. In the 1980s, though, there was a revival of Minhwa, the interest and popularity of which persists to this day. Minhwa was hanged by the front door to bring about happiness and luck. Minhwa was a detailed process from scratch. It consisted of making the pigments from natural ingredients and coloring hanji, or Korean paper. Minhwa is still around, but can mostly be seen at museums, as street art in older neighborhoods, and crafts. It is seen on the hanbok, folding screens, tee shirts, car stickers, dishes, fans, and more. Minwha’s simplistic, yet brilliant style and unconventionality combined with bold colors make it aesthetically important and a strong expression of the daily lives of Koreans. The combined wit, humor, happiness, informality, exaggerations similar to caricatures, and freedom of expression aligns even with contemporary art pieces to exhibit an understanding of Korean culture. Some famous known minhwa artists are Oh Soon-Kyung, a modern professional, Jung Seung Hui also a modern professional, Seongmin Ahn, Yi Am who was the great-grandson of King Sejong, Sin Saimdang, Kim Sik, and Byeon Sangbyeok. (en)
  • L'arte minhwa è una delle manifestazioni più interessanti della cultura della Corea e si riferisce all'arte popolare di quel paese, consistente nel dipingere figure mitiche e altri oggetti con uno specifico stile semplice.Si è sviluppata, nella forma presente, nel diciassettesimo secolo. Gli artisti minhwa erano gente comune, che andavano di luogo in luogo, spesso seguendo i festival, dove essi dipingevano per gli abitanti locali, eseguendo i dipinti su ordinazione lì per lì. Anche scene di vita importanti erano il soggetto delle pitture minhwa. Sia la gente comune che i nobili commissionavano questi artisti. I dipinti funzionavano su vari livelli. Mostravano figure della mitologia popolare e leggende, simboli di felicità, di benessere e di salute, e scene di vita quotidiana. I soggetti più comuni erano gli animali che rappresentavano la potenza, come la tigre, o circostante provvidenziali, come la carpa, che simboleggia il successo. I dipinti erano effettuati su carta e su tela. Dopo un declino durante il periodo coloniale giapponese, l'arte minhwa ebbe una breve popolarità sino a decadere per la guerra di Corea. Negli anni ‘80, però, c'è stato un revival di quest'arte, il cui interesse e popolarità continua anche oggi. (it)
  • 민화(民畵)는 한 민족이나 개인이 전통적으로 이어온 생활 습속에 따라 제작한 대중적인 실용화이다. (ko)
  • 朝鮮民画(ちょうせんみんが)は、朝鮮の庶民の実用的な民俗絵画である。結婚や還暦などの儀礼、装飾、魔よけ、開運などの実用的な目的のために、屏風や掛軸にしたり、壁に貼ったりして用いられる。 表現は稚拙ではあるが、滑稽味があり、素朴で大胆なところが、独特の味わいを出しているものが多い。宮廷付属のの画家や両班の文人が描いた芸術的鑑賞の対象である正統絵画とは異なり、一般的に朝鮮民画には画家の署名や落款はなく、いつ誰が描いたのかは分からない。 民画という言葉は、民芸運動の創始者である日本人の柳宗悦が、日本の大津絵などの民俗絵画を指して使い始めたものである。柳は、日本統治時代の朝鮮でも美術品を収集研究し、朝鮮民画の収集研究も始めた。柳によって、それまでは収集研究の対象とは考えられていなかった朝鮮民画が、注目され収集研究の対象となった。 朝鮮民画の種類は多いが、大きく分ければ、道教系、仏教系、儒教系、装飾系に分けられる。虎の絵は、朝鮮民画の最も代表的なものである。鵲と虎を一緒に描いた鵲虎図や、山神が虎を従えた山神図などがある。長生図は、長寿の象徴である、鶴、亀、鹿、松、竹、などを描いたものである。青竜、白虎、朱雀、玄武などの方位神や、十二支神、竜、鳳凰、麒麟などを描いた物もある。山水画、動物画、植物画なども多いが、独特の物として、文字を絵にした文字図や、本などを乗せた棚を描いた冊架図がある。 * 花鳥拘子圖 * 菊庭秋猫圖 * 松下猛虎圖 * 雙鶴蟠桃図 * 鹿と亀 * 鵲虎図 * 山神図 * 民話では「虎がタバコを吸っていたころ」(호랑이담배먹던시절에)で物語を始める(日本の「むかしむかし」や英語の「」のようなもの) * 文字図(信) * 花鳥図 * 魚蟹図 * 冊架図 (ja)
  • Minhwa – koreańskie malowidła ludowe. Sztuka malowania minhwa ma rodowód XVII-wieczny, w czasach panowania Japończyków w Korei podupadła, swój renesans przeżywa począwszy od lat 80. XX wieku. (pl)
prov:wasDerivedFrom
page length (characters) of wiki page
foaf:isPrimaryTopicOf
is rdfs:seeAlso of
is Link from a Wikipage to another Wikipage of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (62 GB total memory, 53 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software