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About: Max Klinger     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatSymbolistSculptors, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonArtistHumanAnimalanimaleukaryotespeciesschema:Personyago:WikicatPeopleFromBurgenlandkreisyago:WikicatPeopleFromNaumburg(Saale)yago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:Printmaker110475687yago:WikicatGermanPaintersyago:WikicatGermanPrintmakersyago:WikicatGermanSculptorsyago:WikicatGermanSymbolistPaintersyago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Sculptor110566072yago:Whole100003553yago:Wikicat19th-centuryGermanPaintersyago:Wikicat20th-centuryGermanPaintersyago:WikicatSymbolistPaintersyago:WikicatSymbolistSculptors New Facet based on Instances of this Class

Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil (Youth Style) the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled Paraphrase on the Finding of a Glove and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.