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The Master of Sierentz was a painter who is seen as a successor of the Swiss painter Konrad Witz. He is mainly known for his two paintings of Saint Georg stabbing the dragon and Saint Martin of Tours dividing his coat in two sharing one half with a beggar which are assumed to have been painted between 1440 and 1450. Both works are exhibited in the Kunstmuseum Basel. The two panels were for some time assumed to have been the wings of a retable at a church in Sierentz, a locality near Basel, hence the artists Notname "Master of Sierentz". But today, it can't be confirmed with certainty that the retables have stayed in Sierentz. The Master of Sierentz is not to be confused with the , who was initially seen as the painter of the two panels.

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  • Meister von Sierentz (de)
  • Master of Sierentz (en)
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  • Als Meister von Sierentz wird ein deutscher Maler der Spätgotik bezeichnet, der um 1445–50 am Oberrhein tätig war. Seinen Notnamen hat er nach dem mutmaßlichen Herkunftsort zweier Altarflügel, dem Ort Sierentz im Oberelsass. Er gehört zur Nachfolge des Basler Meisters Konrad Witz. Die beiden Altartafeln mit den Heiligen Georg und Martin befinden sich heute im Kunstmuseum Basel. Aus der Werkstatt des Meisters von Sierentz ging möglicherweise der Meister des Jünteler-Epitaphs hervor, der nach einem Bild im Museum zu Allerheiligen in Schaffhausen benannt ist. (de)
  • The Master of Sierentz was a painter who is seen as a successor of the Swiss painter Konrad Witz. He is mainly known for his two paintings of Saint Georg stabbing the dragon and Saint Martin of Tours dividing his coat in two sharing one half with a beggar which are assumed to have been painted between 1440 and 1450. Both works are exhibited in the Kunstmuseum Basel. The two panels were for some time assumed to have been the wings of a retable at a church in Sierentz, a locality near Basel, hence the artists Notname "Master of Sierentz". But today, it can't be confirmed with certainty that the retables have stayed in Sierentz. The Master of Sierentz is not to be confused with the , who was initially seen as the painter of the two panels. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Saint_Georg_–_Master_of_Sierentz.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Saint_Martin_–_Master_of_Sierentz.jpg
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  • Saint Georg fighting with the dragon (en)
  • Saint Martin dividing the cape (en)
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  • Saint Georg – Master of Sierentz.jpg (en)
  • Saint Martin – Master of Sierentz.jpg (en)
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  • Als Meister von Sierentz wird ein deutscher Maler der Spätgotik bezeichnet, der um 1445–50 am Oberrhein tätig war. Seinen Notnamen hat er nach dem mutmaßlichen Herkunftsort zweier Altarflügel, dem Ort Sierentz im Oberelsass. Er gehört zur Nachfolge des Basler Meisters Konrad Witz. Die beiden Altartafeln mit den Heiligen Georg und Martin befinden sich heute im Kunstmuseum Basel. Aus der Werkstatt des Meisters von Sierentz ging möglicherweise der Meister des Jünteler-Epitaphs hervor, der nach einem Bild im Museum zu Allerheiligen in Schaffhausen benannt ist. (de)
  • The Master of Sierentz was a painter who is seen as a successor of the Swiss painter Konrad Witz. He is mainly known for his two paintings of Saint Georg stabbing the dragon and Saint Martin of Tours dividing his coat in two sharing one half with a beggar which are assumed to have been painted between 1440 and 1450. Both works are exhibited in the Kunstmuseum Basel. The two panels were for some time assumed to have been the wings of a retable at a church in Sierentz, a locality near Basel, hence the artists Notname "Master of Sierentz". But today, it can't be confirmed with certainty that the retables have stayed in Sierentz. The Master of Sierentz is not to be confused with the , who was initially seen as the painter of the two panels. (en)
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