María Eugenia de Beer (died 1652), was a Spanish chalcographer. She was the granddaughter of the painter Joos de Beer and daughter of (1591, Utrecht – 1651, Madrid), a Dutch-born painter and engraver who moved to Spain in 1618. In 1641 she married . She was known for her production of engraved illustrations. Many of her motifs were religious or mythological. She signed her works with the name "Doña".
* Carrete Parrondo, Juan, «Divertimento y trascendencia: estampas de María Eugenia de Beer, 1640 – 1652», en Cuaderno de aves para el príncipe, Barcelona, Gustavo Gili, 1982.
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| - María Eugenia de Beer (es)
- María Eugenia de Beer (en)
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| - María Eugenia de Beer (fl. 1640-1652) fue una grabadora calcográfica activa en Madrid, hija del pintor Cornelio de Beer. Firmó sus obras anteponiendo siempre el título de «doña». (es)
- María Eugenia de Beer (died 1652), was a Spanish chalcographer. She was the granddaughter of the painter Joos de Beer and daughter of (1591, Utrecht – 1651, Madrid), a Dutch-born painter and engraver who moved to Spain in 1618. In 1641 she married . She was known for her production of engraved illustrations. Many of her motifs were religious or mythological. She signed her works with the name "Doña".
* Carrete Parrondo, Juan, «Divertimento y trascendencia: estampas de María Eugenia de Beer, 1640 – 1652», en Cuaderno de aves para el príncipe, Barcelona, Gustavo Gili, 1982. (en)
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| - María Eugenia de Beer (fl. 1640-1652) fue una grabadora calcográfica activa en Madrid, hija del pintor Cornelio de Beer. Firmó sus obras anteponiendo siempre el título de «doña». (es)
- María Eugenia de Beer (died 1652), was a Spanish chalcographer. She was the granddaughter of the painter Joos de Beer and daughter of (1591, Utrecht – 1651, Madrid), a Dutch-born painter and engraver who moved to Spain in 1618. In 1641 she married . She was known for her production of engraved illustrations. Many of her motifs were religious or mythological. She signed her works with the name "Doña".
* Carrete Parrondo, Juan, «Divertimento y trascendencia: estampas de María Eugenia de Beer, 1640 – 1652», en Cuaderno de aves para el príncipe, Barcelona, Gustavo Gili, 1982. (en)
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