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About: Manuel Antín     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRadicalCivicUnionPoliticians, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatArgentineFilmDirectorsyago:WikicatArgentinePeopleOfFrenchDescentyago:WikicatArgentineScreenwritersyago:WikicatLivingPeopleyago:WikicatPeopleFromChacoProvinceyago:CausalAgent100007347yago:Communicator109610660yago:Creator109614315yago:FilmDirector110088200yago:FilmMaker110088390yago:Leader109623038yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:Politician110450303yago:Producer110480018yago:Writer110794014yago:YagoLegalActoryago:YagoLegalActorGeoyago:Screenwriter110564400yago:Scriptwriter110564905yago:Whole100003553yago:WikicatRadicalCivicUnionPoliticians New Facet based on Instances of this Class

Manuel Antín (born February 27, 1926) is an Argentine film director and screenwriter. Manuel Antín was born in Las Palmas, Chaco Province, in 1926. He first wrote for Argentine television in 1956 and made his directorial debut in 1962 with his first film: La cifra impar (Odd Number), based on a story by Julio Cortázar, (Cartas de mamá). The film The Venerable Ones earned him a Golden Palm nomination at the Cannes Film Festival, and his Circe (1964), a Golden Bear nomination at the 14th Berlin International Film Festival. Perhaps his best-known film, the bucolic Don Segundo Sombra (1969), earned him a second Golden Palm nomination at Cannes.