Living Stage Theatre Company was a theatre for social change founded in 1966 by Robert A. Alexander (1929–2008). He served as the artistic director until 1995. Located in Washington, D.C., this professional improvisational theater offered participatory workshops to children, youth, teachers, parents, and community members. Living Stage’s main philosophy was based in the belief that every one is born an artist and the act of creation is the ultimate act of self-affirmation. The company's mission was to transform individuals and communities through creative empowerment. The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. Th
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| - Living Stage Theatre Company was a theatre for social change founded in 1966 by Robert A. Alexander (1929–2008). He served as the artistic director until 1995. Located in Washington, D.C., this professional improvisational theater offered participatory workshops to children, youth, teachers, parents, and community members. Living Stage’s main philosophy was based in the belief that every one is born an artist and the act of creation is the ultimate act of self-affirmation. The company's mission was to transform individuals and communities through creative empowerment. The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. Th (en)
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| - Living Stage Theatre Company was a theatre for social change founded in 1966 by Robert A. Alexander (1929–2008). He served as the artistic director until 1995. Located in Washington, D.C., this professional improvisational theater offered participatory workshops to children, youth, teachers, parents, and community members. Living Stage’s main philosophy was based in the belief that every one is born an artist and the act of creation is the ultimate act of self-affirmation. The company's mission was to transform individuals and communities through creative empowerment. The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The "Baltimore Incident" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being "anachronistic". The Living Stage dissolved after 36 years and was a venture of Arena Stage. (en)
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