Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples. The art form developed during the Ayutthaya period, reaching its zenith during the seventeenth to early eighteenth centuries, and continued during the Thonburi and Rattanakosin periods.
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| - Schwarzgoldlack-Malerei (de)
- Lai rot nam (en)
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| - Schwarzgoldlack-Malerei (thailändisch ลายรดน้ำ Lai Rod Nam, wörtlich etwa „Ornamente mit Wasser ausgewaschen“) ist eine traditionelle thailändische Kunstform. Unter den angewandten Künsten, die von den Thai seit langem betrieben werden, ist die Verzierung mit Blattgold-Zeichnungen auf schwarzem, selten auch auf rotem Lack bedeutsam, um verschiedene Objekte für den religiösen oder täglichen Gebrauch wie kleine Kästchen, Schränke, Türen oder hölzerne Paravents zu verzieren. (de)
- Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples. The art form developed during the Ayutthaya period, reaching its zenith during the seventeenth to early eighteenth centuries, and continued during the Thonburi and Rattanakosin periods. (en)
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| - Schwarzgoldlack-Malerei (thailändisch ลายรดน้ำ Lai Rod Nam, wörtlich etwa „Ornamente mit Wasser ausgewaschen“) ist eine traditionelle thailändische Kunstform. Unter den angewandten Künsten, die von den Thai seit langem betrieben werden, ist die Verzierung mit Blattgold-Zeichnungen auf schwarzem, selten auch auf rotem Lack bedeutsam, um verschiedene Objekte für den religiösen oder täglichen Gebrauch wie kleine Kästchen, Schränke, Türen oder hölzerne Paravents zu verzieren. Wahrscheinlich aus China stammend, möglicherweise auch über Burma nach Thailand gelangt, hatte diese Technik ihre Blütezeit im Königreich Ayutthaya vom 17. bis zur Mitte des 18. Jahrhunderts. (de)
- Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples. The art form developed during the Ayutthaya period, reaching its zenith during the seventeenth to early eighteenth centuries, and continued during the Thonburi and Rattanakosin periods. The technique consists of applying to the wooden panel several coats of black lacquer, a resin from the Burmese lacquer tree known in Thai as rak. The drawing is then traced, and the parts to remain black are painted over with a yellow-gummy mixture known in Thai as namya horadan (น้ำยาหรดาล). The next process is to give a thin coat of lacquer over the surface, and when it is semi-dry, gold leaf is applied over the whole surface. After about twenty hours the work is washed with water to detach the gummy-paint, exposing the lacquer and leaving the remaining gold inlay in the unpainted areas. The application of gold leaf and washing with water give the technique its name, fully lai pit thong rot nam (ลายปิดทองรดน้ำ, "designs of applied gold leaf washed with water"), but often shortened to just lai rot nam ("designs washed with water"). (en)
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