Konstantin Konstantinovich Saradzhev (Russian: Константи́н Константи́нович Сара́джев; 1900–1941) was a Russian bell ringer, composer, and musical theorist. The son of the conductor and violinist Konstantin Saradzhev, K.K. ("Kotik") Saradzhev was strongly affected by hearing a powerful church bell at the age of seven and became a musician specializing in bells (though he also played the piano). He was known for "his superhuman aural acuity: between two adjacent whole tones, he perceived not just one half tone but a half tone flanked on either side by a hundred and twenty-one flats and a hundred and twenty-one sharps" and "could distinguish all four thousand of Moscow's church bells" by their unique frequencies. He composed "bell symphonies" making use of the microtonal complexities of Russi
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| - Konstantin Konstantinovich Saradzhev (en)
- コンスタンチン・コンスタンチノヴィチ・サラジェフ (ja)
- Сараджев, Константин Константинович (ru)
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| - Константи́н Константи́нович Сара́джев (арм. Կոստանդին Կոստանդինի Սարաջյանց; 1900—1942) — звонарь-виртуоз, теоретик русского колокольного звона. (ru)
- Konstantin Konstantinovich Saradzhev (Russian: Константи́н Константи́нович Сара́джев; 1900–1941) was a Russian bell ringer, composer, and musical theorist. The son of the conductor and violinist Konstantin Saradzhev, K.K. ("Kotik") Saradzhev was strongly affected by hearing a powerful church bell at the age of seven and became a musician specializing in bells (though he also played the piano). He was known for "his superhuman aural acuity: between two adjacent whole tones, he perceived not just one half tone but a half tone flanked on either side by a hundred and twenty-one flats and a hundred and twenty-one sharps" and "could distinguish all four thousand of Moscow's church bells" by their unique frequencies. He composed "bell symphonies" making use of the microtonal complexities of Russi (en)
- コンスタンティーン・コンスタンティーノヴィチ・サラーヂェフ（ロシア語: Константи́н Константи́нович Сара́джев / Konstantin Konstantinovich Saradzhev, 1900年 – 1942年?）は、ロシアの・作曲家で音楽理論家。 指揮者でヴァイオリニストのコティック・サラジェフを父に持ち、ピアノを学習したものの、7歳で教会の鐘の力強い音色に強い愛着を覚えて、鐘の演奏の専門家になった。サラジェフは「超人的な聴覚の鋭さ」で知られており、それぞれの振動数の違いによって「モスクワの教会の400ある鐘の音すべてを識別することができた」。 (ja)
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| - Konstantin Konstantinovich Saradzhev (Russian: Константи́н Константи́нович Сара́джев; 1900–1941) was a Russian bell ringer, composer, and musical theorist. The son of the conductor and violinist Konstantin Saradzhev, K.K. ("Kotik") Saradzhev was strongly affected by hearing a powerful church bell at the age of seven and became a musician specializing in bells (though he also played the piano). He was known for "his superhuman aural acuity: between two adjacent whole tones, he perceived not just one half tone but a half tone flanked on either side by a hundred and twenty-one flats and a hundred and twenty-one sharps" and "could distinguish all four thousand of Moscow's church bells" by their unique frequencies. He composed "bell symphonies" making use of the microtonal complexities of Russian bells, but was unable to realize them to his satisfaction in Russia. When Harvard University invited him in 1930 to help install at Lowell House the Danilov Monastery bells Charles R. Crane had bought from Russia, he thought he would be able to perform his works there; disappointed in this and encountering suspicion aroused by his eccentric behavior, he became distraught and was sent back to Moscow, where he wrote a book Muzyka-kolokol ("Music-bell") that has since disappeared and is believed to have died in an insane asylum in 1941. Marina Tsvetaeva's sister Anastasia published a memoir about his life in 1977. (en)
- コンスタンティーン・コンスタンティーノヴィチ・サラーヂェフ（ロシア語: Константи́н Константи́нович Сара́джев / Konstantin Konstantinovich Saradzhev, 1900年 – 1942年?）は、ロシアの・作曲家で音楽理論家。 指揮者でヴァイオリニストのコティック・サラジェフを父に持ち、ピアノを学習したものの、7歳で教会の鐘の力強い音色に強い愛着を覚えて、鐘の演奏の専門家になった。サラジェフは「超人的な聴覚の鋭さ」で知られており、それぞれの振動数の違いによって「モスクワの教会の400ある鐘の音すべてを識別することができた」。 ロシアの鐘の複雑な微分音程を駆使していくつかの《鐘の交響曲》を作曲したが、ソ連では作曲者自身を満足させるほどの演奏が難しかった。1930年にハーヴァード大学に招かれて、がロシアで購入したの鐘を、に設置するのを手伝った際、アメリカ合衆国で《鐘の交響曲》が上演できないかと考えた。期待が破れ、彼の奇行に周囲の疑惑が持ち上がると、発狂してモスクワに送還された。モスクワで書いた本『チャイム（Muzyka-kolokol ("Music-bell")）』は、紛失しており、1941年に収容先の精神病棟で亡くなったものと信じられている。マリーナ・ツヴェターエワの姉妹アナスタシアは、1977年にコンスタンチン・サラジェフについての回想録を出版した (ja)
- Константи́н Константи́нович Сара́джев (арм. Կոստանդին Կոստանդինի Սարաջյանց; 1900—1942) — звонарь-виртуоз, теоретик русского колокольного звона. (ru)
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