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Katrín Sigurdardóttir (born 1967 in Reykjavík, Iceland) is a New York-based artist who works in installation and sculpture. Katrin studied at the Icelandic College of Arts and Crafts, Reykjavík and received a BFA from the San Francisco Art Institute and her MFA from the Mason Gross School of the Arts, Rutgers University. She creates complex structures built to be viewed in exhibition settings but not used as functional architecture. Conceptually, her work reflects issues of intimacy and memory in built spaces, historical recreations, and disorienting shifts in scale. Her work has appeared at the 2013 Icelandic Pavilion of the 55th Venice Biennale, the 33rd São Paulo Bienal, in 2018, The Metropolitan Museum of Art, Sculpture Center, and PS1 Contemporary Art Center.

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  • Katrín Sigurdardóttir (en)
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  • Katrín Sigurdardóttir (born 1967 in Reykjavík, Iceland) is a New York-based artist who works in installation and sculpture. Katrin studied at the Icelandic College of Arts and Crafts, Reykjavík and received a BFA from the San Francisco Art Institute and her MFA from the Mason Gross School of the Arts, Rutgers University. She creates complex structures built to be viewed in exhibition settings but not used as functional architecture. Conceptually, her work reflects issues of intimacy and memory in built spaces, historical recreations, and disorienting shifts in scale. Her work has appeared at the 2013 Icelandic Pavilion of the 55th Venice Biennale, the 33rd São Paulo Bienal, in 2018, The Metropolitan Museum of Art, Sculpture Center, and PS1 Contemporary Art Center. (en)
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  • Katrín Sigurdardóttir (en)
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  • Katrín Sigurdardóttir (en)
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  • Katrín Sigurdardóttir (born 1967 in Reykjavík, Iceland) is a New York-based artist who works in installation and sculpture. Katrin studied at the Icelandic College of Arts and Crafts, Reykjavík and received a BFA from the San Francisco Art Institute and her MFA from the Mason Gross School of the Arts, Rutgers University. She creates complex structures built to be viewed in exhibition settings but not used as functional architecture. Conceptually, her work reflects issues of intimacy and memory in built spaces, historical recreations, and disorienting shifts in scale. Her work has appeared at the 2013 Icelandic Pavilion of the 55th Venice Biennale, the 33rd São Paulo Bienal, in 2018, The Metropolitan Museum of Art, Sculpture Center, and PS1 Contemporary Art Center. (en)
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