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About: Josef Wirsching     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEthnicGermanPeople, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalanimaleukaryotespeciesyago:WikicatCinematographersschema:Personyago:WikicatPeopleFromMunichyago:Artist109812338yago:Cameraman109889539yago:CausalAgent100007347yago:Creator109614315yago:Emigrant110051975yago:LivingThing100004258yago:Migrant110314952yago:Object100002684yago:Organism100004475yago:Person100007846yago:Photographer110426749yago:PhysicalEntity100001930yago:WikicatGermanCinematographersyago:WikicatGermanEmigrantsToIndiayago:WikicatIndianCinematographersyago:YagoLegalActoryago:YagoLegalActorGeoyago:Traveler109629752yago:Whole100003553yago:WikicatEthnicGermanPeople New Facet based on Instances of this Class

Josef Wirsching (22 March 1903 – 11 June 1967) sometimes credited as Joseph Wirsching, was a German cinematographer, who became a pioneer in cinematography in India and who contributed to the heritage of Cinema of India and still photography in its improvement into a scientific art of expression. His association with Indian cinema started in 1925, when he worked with another German, Franz Osten, in the Indo-European collaboration, The Light of Asia. Thereafter he settled in India, went on to work in over 20 films with Bombay Talkies and subsequently with Kamal Amrohi in Mahal (1949), Dil Apna Aur Preet Parayi (1960) and his masterpiece Pakeezah (1972), though he died while it was still under production.