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About: Josef Greindl     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEthnicGermanPeople, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatOperaSingersyago:WikicatPeopleFromMunichyago:Alumnus109786338yago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Entertainer109616922yago:Intellectual109621545yago:Leader109623038yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:Politician110450303yago:WikicatGermanMaleSingersyago:WikicatGermanNaziPoliticiansyago:WikicatGermanOperaSingersyago:WikicatGermanSingersyago:WikicatHochschuleFürMusikUndTheaterMünchenAlumniyago:YagoLegalActoryago:YagoLegalActorGeoyago:Scholar110557854yago:Singer110599806yago:Whole100003553yago:WikicatEthnicGermanPeople New Facet based on Instances of this Class

Josef Greindl (23 December 1912 - 16 April 1993) was a German operatic bass, remembered mainly for his performances of Wagnerian roles at Bayreuth beginning in 1943. Josef Greindl was born in Munich and studied at the Munich Music Academy with Paul Bender. His opera debut was in 1936, as Hunding in Wagner's Die Walküre in the State Theatre in Krefeld. In 1944, Adolf Hitler included him in the Gottbegnadeten list ("God-gifted list" or "Important Artist Exempt List" of artists considered crucial to Nazi culture), which exempted him from the requirement to serve in the German military. He played the part of King Marke in the 1952 Furtwängler recording of Tristan und Isolde. This vintage recording often appears in critics list of the top 100 greatest recordings, since Kirsten Flagstad was also