In-ear monitors (IEMs) are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are also used by television presenters in order to receive vocal instructions, info, and breaking news announcements from a producer that only the presenter hears. They are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings. Their origins as a tool in live music performance can be traced back to the mid-1980s.
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| - In-Ear-Monitoring (de)
- Monitor in ear (es)
- In-ear monitor (en)
- Système In-Ear (fr)
- In-ear monitor (it)
- インイヤーモニター (ja)
- In-ear monitor (nl)
- Внутриканальные наушники (ru)
- 入耳式耳機 (zh)
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| - Los sistemas de monitorización In-Ear, son una herramienta utilizada por músicos y artistas para obtener referencia auditiva de una mezcla de instrumentos, sonido ambiente, músicas pregrabadas o cualquier tipo de señal acústica que se necesite, tanto en escenario en directo como en estudio de grabación. Se diferencian de clásicos monitores de cuña por ser de formato auricular. (es)
- インイヤーモニター (In-Ear Monitor、略称：IEM) は、イヤフォン（インイヤーヘッドフォン）のうち、ステージ上のミュージシャンやオーディオエンジニアが音響チェックに使用したり、オーディオマニアが音楽を聴くのに使用するもの。周辺環境からのノイズ（雑音・騒音）を高レベルで遮断するため、例外なく外耳に挿し込んで装着する「カナル形」となっている。 また、快適な装着感や遮音性を得るために、使用者個々の耳の形状に合わせたカスタムモールドが施される場合がある（カスタムIEM）。 (ja)
- 入耳式耳機（英語：In-ear headphones）是一種耳機類型，該類耳機的耳塞套可置入於耳道內使用，因此能夠有效阻隔外界噪音干擾，並減少漏音。 (zh)
- In-ear monitors (IEMs) are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are also used by television presenters in order to receive vocal instructions, info, and breaking news announcements from a producer that only the presenter hears. They are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings. Their origins as a tool in live music performance can be traced back to the mid-1980s. (en)
- Un système In-Ear ou IEM (In-Ear Monitor en anglais) est un système auditif se plaçant dans l'oreille et permettant aux musiciens d'avoir un retour audio en concert. L'IEM apparaît dans le milieu des années 1990 et permet de remplacer les retours sous forme d'enceintes. Le musicien est ainsi isolé du bruit sur scène, lui permettant d'avoir un retour personnalisé précis. Le risque de larsen sur scène à cause des retours est éliminé. Les IEM sans-fil permettent également de se déplacer sur toute la scène sans que le son que reçoit le musicien ne change. (fr)
- La tecnologia in-ear monitor consiste in un dispositivo che svolge la stessa funzione di un (cassa spia), ma che viene ascoltata dal musicista tramite cuffia in ear che entra cioè nel condotto uditivo. Comunemente l'in-ear monitor è composto da una centralina trasmittente e una ricevente che, tramite onde radio, riceve i segnali e li traduce in suono facendo sentire all'artista il missaggio che preferisce. Tuttavia è possibile utilizzare in-ear monitor anche con normali collegamenti cablati, per esempio per quei musicisti che stanno in postazioni fisse (tastieristi, batteristi...) (it)
- Een in-ear monitor (IEM) is een geluidsisolerend luidsprekersysteem voor in de oren, vergelijkbaar met oordopjes maar gedragen in de gehoorgang, vaak vergezeld van een kleine, op het lichaam draagbare radio-ontvanger, waarmee een podiumartiest of geluidstechnicus het gemengde geluid van muziekinstrumenten en zangstemmen kan horen. Het systeem wordt vaak gebruikt in situaties waarin podiummonitoren (luidsprekers op de vloer) niet wenselijk zijn, of wanneer de artiest zeer beweeglijk is. In-ear monitors zijn vaak op maat gegoten. De meeste IEM systemen versturen het geluid analoog via FM en kennen een extreem lage latentie (vertraging in de dataoverdracht) van 0,4 tot ongeveer 6 ms. In-ear monitors hebben een bereik van 90 tot 300 meter. Ze werken op de UHF band. (nl)
- «Внутрикана́льные нау́шники» (затычки, заглушки, ухо-мониторы, или IEMs) — наушники, по внешнему виду похожие на вкладыши. Внутриканальные наушники входят в ушной канал на некоторую глубину и полностью затыкают ухо, обеспечивая хорошую звукоизоляцию от внешних шумов. Такое решение позаимствовано от слуховых аппаратов и наушников-мониторов, которые музыканты используют на сцене. Впервые такая конструкция использована в 1895 году Томасом Эдисоном для прослушивания звука устройства под названием «Кинетофон». (ru)
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| - Los sistemas de monitorización In-Ear, son una herramienta utilizada por músicos y artistas para obtener referencia auditiva de una mezcla de instrumentos, sonido ambiente, músicas pregrabadas o cualquier tipo de señal acústica que se necesite, tanto en escenario en directo como en estudio de grabación. Se diferencian de clásicos monitores de cuña por ser de formato auricular. (es)
- In-ear monitors (IEMs) are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are also used by television presenters in order to receive vocal instructions, info, and breaking news announcements from a producer that only the presenter hears. They are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings. Their origins as a tool in live music performance can be traced back to the mid-1980s. A stage monitor system is any system that provides a mix of audio sources to a performer on stage. Traditionally, loudspeakers were placed on the stage directed toward the performers. These loudspeakers can have disadvantages. First, floor wedges greatly increase the onstage volume, in some cases to potential hearing damage levels. Second, while floor wedges can be placed in front of a particular singer, guitarist, bassist, or drummer, the other musicians can often hear the other musicians' wedge mixes. In a sophisticated monitoring system, every band member can have their own monitor mix, which is their particular preference of vocals or instruments. Since performers wear an IEM in each ear, they can also hear a stereo mix if a particular monitor system allows it. This can allow the additional definition of the audio by panning different elements (vocals, drums, etc.) to each ear. More recent advances also allow the user to adjust the amount of ambient noise filtered by the IEM. One additional consideration for mixing IEMs is that while getting rid of floor wedges can improve the overall clarity of the mix for the performers and decrease the overall volume onstage, one important piece that is often lost is crowd noise and crowd comments, such as the audience calling for an encore. It is not uncommon for a microphone to be placed near each side of the stage, facing out to the audience, to provide a way to get some of the crowd noise and audience comments back into the performers' IEM mixes. Larger live shows can have several microphones for this purpose spread across the front of the stage, which can also be sent to a multitrack recording device used in an outside broadcast production truck, or other destinations. (en)
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