Hewligan’s Haircut is a comic series created by Peter Milligan and Jamie Hewlett that appeared in 2000 AD in 1990. The title character’s name is a blend of Hewlett and Milligan, and a play on "hooligan". The series is a surreal comedy. Hewligan, an inmate of an insane asylum, gives himself a haircut with a pair of plastic scissors only for an inexplicable hole to appear in his huge pompadour, causing an apocalyptic bending of reality. The plot takes the form of a madcap interdimensional quest for Hewligan and his reality-warping companion Scarlet O’Gasmeter to set things straight.
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| - Hewligan’s Haircut is a comic series created by Peter Milligan and Jamie Hewlett that appeared in 2000 AD in 1990. The title character’s name is a blend of Hewlett and Milligan, and a play on "hooligan". The series is a surreal comedy. Hewligan, an inmate of an insane asylum, gives himself a haircut with a pair of plastic scissors only for an inexplicable hole to appear in his huge pompadour, causing an apocalyptic bending of reality. The plot takes the form of a madcap interdimensional quest for Hewligan and his reality-warping companion Scarlet O’Gasmeter to set things straight. (en)
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| - Cover to the collected edition of Hewligan's Haircut (en)
- Art by Jamie Hewlett (en)
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| - Originally IPC Media until 1999, thereafter Rebellion Developments (en)
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| - Hewligan’s Haircut is a comic series created by Peter Milligan and Jamie Hewlett that appeared in 2000 AD in 1990. The title character’s name is a blend of Hewlett and Milligan, and a play on "hooligan". The series is a surreal comedy. Hewligan, an inmate of an insane asylum, gives himself a haircut with a pair of plastic scissors only for an inexplicable hole to appear in his huge pompadour, causing an apocalyptic bending of reality. The plot takes the form of a madcap interdimensional quest for Hewligan and his reality-warping companion Scarlet O’Gasmeter to set things straight. Writing about Hewligan’s Haircut for Time, Douglas Wolk remarks that as with “Milligan’s other comics, the idea of madness is a license to pour anything and everything onto the page”. Wolk cites MAD comics as a major antecedent of Hewlett’s artwork, which incorporates a self-conscious mishmash of techniques and reference points, including fanzines, collage, Dada, cubism and pop art. (en)
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