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Hananuma Masakichi (花沼 政吉, 1832-1895) was a Japanese sculptor specializing in "iki-ningyo" or lifelike dolls. A number of his works have survived in American and British collections, notably those of Ripley's Believe it or Not and the Sheffield Museum (the home town of the father of the Deakin Brothers of Yokohama, dealers in oriental art and curios in the 1890s). One such figure shows a naked Japanese man anatomically correct down to hairs inserted in his gofun skin, holding a small mask in his hand (i.e. a mask sculptor), about life-size. This was exhibited in San Francisco during about 1895–1906, and was depicted on a souvenir token from the Art Saloon, its owner at the time. It was reputed to be a self-portrait of the artist. Elaborations of the legend about this very lifelike image co

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  • Hananuma Masakichi (en)
  • 花沼政吉 (ja)
  • Хананума Масакити (ru)
rdfs:comment
  • 花沼 政吉(はなぬま まさきち、1832年 - 1895年)は、人形師、彫刻家、版画家。 彼の作品の多くはアメリカやイギリスでコレクションされ、Ripley's Believe It or Not!やシェフィールド博物館(1890年代の東洋の美術品や珍品を扱ったディーキン兄弟の父の出身地)によって保存されている。胡粉の肌に生えた毛まで再現された裸体の日本人男性が小さな仮面を手にした等身大程度の姿が表現された作品で知られる。これは1906年から1985年頃までサンフランシスコで展示され、所有者のアート・サルーンの土産物のトークンにも描かれ、本人をモデルにしている。この精巧な像は語り継がれ、1934年に購入したロバート・リプリーは怖がらせるために夜の客間に置いた。同年にシカゴ万博で展示されるなどして現在に至る。 (ja)
  • Хананума Масакити (яп. 花沼 政吉; 1832—1895) — японский скульптор. (ru)
  • Hananuma Masakichi (花沼 政吉, 1832-1895) was a Japanese sculptor specializing in "iki-ningyo" or lifelike dolls. A number of his works have survived in American and British collections, notably those of Ripley's Believe it or Not and the Sheffield Museum (the home town of the father of the Deakin Brothers of Yokohama, dealers in oriental art and curios in the 1890s). One such figure shows a naked Japanese man anatomically correct down to hairs inserted in his gofun skin, holding a small mask in his hand (i.e. a mask sculptor), about life-size. This was exhibited in San Francisco during about 1895–1906, and was depicted on a souvenir token from the Art Saloon, its owner at the time. It was reputed to be a self-portrait of the artist. Elaborations of the legend about this very lifelike image co (en)
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  • Hananuma Masakichi (en)
name
  • Hananuma Masakichi (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Hananuma_Masakichi_sculpture.jpg
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  • Hananuma Masakichi's sculpture of himself (en)
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  • Sculptor (en)
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  • Japanese (en)
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  • 花沼 政吉 (en)
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  • ja (en)
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  • Hananuma Masakichi (花沼 政吉, 1832-1895) was a Japanese sculptor specializing in "iki-ningyo" or lifelike dolls. A number of his works have survived in American and British collections, notably those of Ripley's Believe it or Not and the Sheffield Museum (the home town of the father of the Deakin Brothers of Yokohama, dealers in oriental art and curios in the 1890s). One such figure shows a naked Japanese man anatomically correct down to hairs inserted in his gofun skin, holding a small mask in his hand (i.e. a mask sculptor), about life-size. This was exhibited in San Francisco during about 1895–1906, and was depicted on a souvenir token from the Art Saloon, its owner at the time. It was reputed to be a self-portrait of the artist. Elaborations of the legend about this very lifelike image continued up through the time of the image's purchase by Ripley's in 1934,Robert Ripley would often put the statue in guest rooms at night in order to scare them. His house on B.I.O.N (Believe It Or Not) Island Had a slew of other strange collectibles including this. through its exhibit at the Chicago World's Fair in 1934, and into the present. The story below is a version of this romantic tale. Believing that he was dying from tuberculosis, Hananuma sculpted a life size statue of himself as a gift to the woman he loved, which was completed in 1885. The artist himself died 10 years later, in poverty aged 63. The statue is renowned for being nearly identical in appearance to its creator. Made of between 2000 and 5000 wooden strips (reports differ), it is connected only by dovetail joints, glue and wooden pegs. No joint is visible on the statue, and it is lacquered to show every detail of Hananuma, including muscle, bone and vein. The artist also manufactured anatomically correct glass eyeballs for the statue. Finally, individual holes were drilled in the statue to represent the pores of the skin, and the corresponding hair inserted. The statue was later purchased by Robert Ripley in 1934, and was housed in his California Odditorium until his death in 1949. After Ripley's death, the masterpiece toured various Odditoriums until it was stored in the Los Angeles Odditorium where it was damaged in the 1994 Northridge earthquake. The statue is currently on display in the Amsterdam Odditorium, located on Dam Square and a replica is in the London Odditorium, located at 1 Piccadilly Circus. (en)
  • 花沼 政吉(はなぬま まさきち、1832年 - 1895年)は、人形師、彫刻家、版画家。 彼の作品の多くはアメリカやイギリスでコレクションされ、Ripley's Believe It or Not!やシェフィールド博物館(1890年代の東洋の美術品や珍品を扱ったディーキン兄弟の父の出身地)によって保存されている。胡粉の肌に生えた毛まで再現された裸体の日本人男性が小さな仮面を手にした等身大程度の姿が表現された作品で知られる。これは1906年から1985年頃までサンフランシスコで展示され、所有者のアート・サルーンの土産物のトークンにも描かれ、本人をモデルにしている。この精巧な像は語り継がれ、1934年に購入したロバート・リプリーは怖がらせるために夜の客間に置いた。同年にシカゴ万博で展示されるなどして現在に至る。 (ja)
  • Хананума Масакити (яп. 花沼 政吉; 1832—1895) — японский скульптор. (ru)
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