Fortspinnung (English: spinning-forth) is a German term conceived in 1915 to refer to a specific process of development of a musical motif. In this process, the motif is developed into an entire musical structure by using sequences, intervallic changes or simple repetitions. As a principle it exposes a thematic capus (German: Themenkopf) and from there on opens itself to a (mostly) counterpuntal structure, while the reentry of same Themenkopf (often transposed) diverts from the fact that there is no actual closing formula in the Fortspinnungsthema. Thus the Forspinnungsprinzip counters the principle of the German Periode, common to the Wiener Klassik sonata, which is metrically finite (albeit not closing, as such). Everything in the Periode points to a metrically defined point, where its '
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - Fortspinnung (ca)
- Fortspinnung (en)
- Fortspinnung (it)
|
| rdfs:comment
| - Fortspinnung és un terme alemany concebut l'any 1915 per referir-se a un procés específic de desenvolupament d’un motiu musical. En aquest procés, el motiu es desenvolupa en una estructura musical sencera mitjançant seqüències, canvis intervàl·lics o repeticions senzilles. Com a principi exposa una capçalera temàtica (alemany: Themenkopf) i a partir d’aquí s’obre a una estructura (majoritàriament) contrapuntística, mentre que la reentrada del mateix Themenkopf (sovint transposada) es desvia del fet que no hi ha una fórmula de tancament real en el Fortspinnungsthema. Així, el Forspinnungsprinzip contraresta el principi del Període alemany, comú a la sonata de Wiener Klassik, que és mètricament finit (encara que no tanqui, com a tal): Tot el que hi ha en el període apunta a un punt mètricame (ca)
- Fortspinnung (English: spinning-forth) is a German term conceived in 1915 to refer to a specific process of development of a musical motif. In this process, the motif is developed into an entire musical structure by using sequences, intervallic changes or simple repetitions. As a principle it exposes a thematic capus (German: Themenkopf) and from there on opens itself to a (mostly) counterpuntal structure, while the reentry of same Themenkopf (often transposed) diverts from the fact that there is no actual closing formula in the Fortspinnungsthema. Thus the Forspinnungsprinzip counters the principle of the German Periode, common to the Wiener Klassik sonata, which is metrically finite (albeit not closing, as such). Everything in the Periode points to a metrically defined point, where its ' (en)
- Fortspinnung («sviluppo continuo») è un termine impiegato dalla musicologia e creato dallo studioso viennese (1886 - 1962). Con questo termine si intende l'uso di una breve cellula melodica ripetuta fino a costituire un'idea musicale. La ripetizione può essere sequenziale (come nelle progressioni), prevedere una trasformazione degli intervalli, o ancora una semplice ripetizione. Dal fortspinnung, Fischer fa discendere la tipologia compositiva del Fortspinnungstypus, ed all'estremo opposto pone il Liedtypus, nel quale ravvisa una struttura bipartita. (it)
|
| foaf:depiction
| |
| dct:subject
| |
| Wikipage page ID
| |
| Wikipage revision ID
| |
| Link from a Wikipage to another Wikipage
| |
| sameAs
| |
| dbp:wikiPageUsesTemplate
| |
| thumbnail
| |
| has abstract
| - Fortspinnung és un terme alemany concebut l'any 1915 per referir-se a un procés específic de desenvolupament d’un motiu musical. En aquest procés, el motiu es desenvolupa en una estructura musical sencera mitjançant seqüències, canvis intervàl·lics o repeticions senzilles. Com a principi exposa una capçalera temàtica (alemany: Themenkopf) i a partir d’aquí s’obre a una estructura (majoritàriament) contrapuntística, mentre que la reentrada del mateix Themenkopf (sovint transposada) es desvia del fet que no hi ha una fórmula de tancament real en el Fortspinnungsthema. Així, el Forspinnungsprinzip contraresta el principi del Període alemany, comú a la sonata de Wiener Klassik, que és mètricament finit (encara que no tanqui, com a tal): Tot el que hi ha en el període apunta a un punt mètricament definit, on el seu "final" és d’esperar. Falta aquesta estructura apuntant, és a dir, detinguda amb cura al Fortspinnung. També és possible utilitzar el terme forma fortspinnung, que representa una estructura amb tres parts:
* Vordersatz: L’antecedent o exposició del motiu.
* Fortspinnung: El fortspinnung propi on es desenvolupa el motiu.
* Epíleg: la secció d'epíleg o cadència. En la música barroca, les melodies i les seves lletres eren en prosa. En lloc de les línies emparellades, consistien en frases o paràgrafs retòrics que són formats per un gest d'obertura, una amplificació (sovint amb seqüència) i un tancament (amb una cadència); en alemany Vordersatz - Fortspinnung - Epilog. Per exemple: When I was a child, [gest d'obertura]I spake as a child, [amplificació...]I understood as a child, [...]I thought as a child; [...]But when I became a man, I put away childish things. [tancament]—1 Corinthians 13 (ca)
- Fortspinnung (English: spinning-forth) is a German term conceived in 1915 to refer to a specific process of development of a musical motif. In this process, the motif is developed into an entire musical structure by using sequences, intervallic changes or simple repetitions. As a principle it exposes a thematic capus (German: Themenkopf) and from there on opens itself to a (mostly) counterpuntal structure, while the reentry of same Themenkopf (often transposed) diverts from the fact that there is no actual closing formula in the Fortspinnungsthema. Thus the Forspinnungsprinzip counters the principle of the German Periode, common to the Wiener Klassik sonata, which is metrically finite (albeit not closing, as such). Everything in the Periode points to a metrically defined point, where its 'end' its 'right border' is expected. This pointing structure is missing, i. e. carefully averted in the Fortspinnung. Thus the Gestalt of the Fortspinnungsthema has a 'rag margin', while the Periode ends more predictably. It is also possible to use the fortspinnung form term that stands for a structure with three parts:
* Vordersatz: The antecedent or exposition of the motif.
* Fortspinnung: The fortspinnung itself where the motif is developed.
* Epilog: The epilogue or cadence section. In Baroque music, melodies and their lyrics were prose. Rather than paired lines they consist of rhetorical sentences or paragraphs consisting of an opening gesture, an amplification (often featuring sequence), and a close (featuring a cadence); in German Vordersatz-Fortspinnung-Epilog. For example: (en)
- Fortspinnung («sviluppo continuo») è un termine impiegato dalla musicologia e creato dallo studioso viennese (1886 - 1962). Con questo termine si intende l'uso di una breve cellula melodica ripetuta fino a costituire un'idea musicale. La ripetizione può essere sequenziale (come nelle progressioni), prevedere una trasformazione degli intervalli, o ancora una semplice ripetizione. Qui si vede un esempio di fortspinnung tratto dalla 4ª Invenzione a due voci di Johann Sebastian Bach. L'elemento melodico delle prime 2 misure vie ripetuto altre due volte, poi l'elemento di semicrome nelle misure 7-8 viene ripetuto in forma di progressione fino a misura 16. Si tratta di un procedimento rintracciabile soprattutto in componimenti di musica barocca; esso, secondo Fischer, fa parte di un processo in cui collega una parte iniziale (Vordersatz) con una parte conclusiva (Epilog). Dal fortspinnung, Fischer fa discendere la tipologia compositiva del Fortspinnungstypus, ed all'estremo opposto pone il Liedtypus, nel quale ravvisa una struttura bipartita. (it)
|
| gold:hypernym
| |
| prov:wasDerivedFrom
| |
| page length (characters) of wiki page
| |
| foaf:isPrimaryTopicOf
| |
| is Link from a Wikipage to another Wikipage
of | |
| is Wikipage redirect
of | |
| is foaf:primaryTopic
of | |
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
