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Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.

AttributesValues
rdfs:label
  • Enamelled glass (en)
  • Émaillage du verre (fr)
  • Vetro smaltato (it)
  • Стемалит (ru)
rdfs:comment
  • Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass. (en)
  • L’émaillage du verre est une technique de décoration ou simplement d'impression (cas des ampoules pharmaceutiques, par exemple) qui consiste à peindre au pinceau, ou à appliquer par sérigraphie, un motif sur un support de verre avec des émaux — poudres vitrifiables très fines, colorées par des oxydes — qui cuisent et fondent à basse température, grâce à la présence d’une base fusible. (fr)
  • Il vetro smaltato è un vetro che è stato decorato con smalto vitreo (vetro in polvere, eventualmente mescolato con un legante) poi fuso nel vetro. Può produrre colori brillanti e duraturi ed essere trasparente, traslucido o opaco. Generalmente i colori desiderati appaiono solo quando il pezzo viene messo in forno, aggiungendosi alle difficoltà dell'artista. (it)
  • Стемалит, также эмалит, эмалированное стекло — стекло, декорированное эмалью (стеклянным порошком, возможно, с примесью связующего вещества), а затем обожжённое до фьюзинга. Может быть ярких и стойких цветов, а также быть прозрачным, полупрозрачным или непрозрачным. Как правило, нужные цвета появляются только тогда, когда предмет обожжён, что увеличивает сложность изготовления художником. (ru)
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