Emile Barnes (18 February 1892 – 2 March 1970) was a New Orleans jazz clarinetist. Barnes studied under Lorenzo Tio Jr., Alphonse Picou, George Baquet, and Louis Nelson Delisle (also known as "Big Eye" Louis Nelson). Active professionally in New Orleans by 1908, he was long well regarded locally for his bluesy and distinctively individualistic style. He played with the Chris Kelly band in from the late 1910s through the 1920s. Barnes did not become widely known to jazz fans outside of New Orleans until he made recordings during the revival era for American Music Records. He performed at the opening night of Preservation Hall and also in his later years. In the 1930s he played with Wooden Joe Nicholas, and in the 1940s with Kid Howard. Barnes was featured on several Folkways Records New Orl
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| - إيميل بارنز (ar)
- Emile Barnes (de)
- Emile Barnes (en)
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| - إيميل بارنز (بالإنجليزية: Emile Barnes) هو عازف جاز أمريكي، ولد في 18 فبراير 1892 في نيو أورلينز في الولايات المتحدة، وتوفي في 2 مارس 1970. (ar)
- Emile Barnes (18 February 1892 – 2 March 1970) was a New Orleans jazz clarinetist. Barnes studied under Lorenzo Tio Jr., Alphonse Picou, George Baquet, and Louis Nelson Delisle (also known as "Big Eye" Louis Nelson). Active professionally in New Orleans by 1908, he was long well regarded locally for his bluesy and distinctively individualistic style. He played with the Chris Kelly band in from the late 1910s through the 1920s. Barnes did not become widely known to jazz fans outside of New Orleans until he made recordings during the revival era for American Music Records. He performed at the opening night of Preservation Hall and also in his later years. In the 1930s he played with Wooden Joe Nicholas, and in the 1940s with Kid Howard. Barnes was featured on several Folkways Records New Orl (en)
- Emile Barnes (* 18. Februar 1892 in New Orleans; † 2. März 1970 ebenda) war ein US-amerikanischer Jazz-Klarinettist des New Orleans Jazz. Barnes lernte bei Lorenzo Tio Junior, Alphonse Picou, George Baquet und Big Eye Louis Nelson Klarinette und war ab 1908 in New Orleans als Musiker aktiv, spielte mit Buddy Petit und während der 1920er Jahre in der Band von Chris Kelly. In den beiden nächsten Jahrzehnten arbeitete er größtenteils außerhalb der Musikszene, spielte aber in den 1930er Jahren in der Camelia Band von Wooden Joe Nicholas und in den späten 1940er Jahren mit Kid Howard. Bekannt wurde er außerhalb von New Orleans mit dem Revival, das mit der Eröffnung der Preservation Hall 1961 einherging. Er war auf mehreren New-Orleans-Kompilationen von Folkways Records von 1951/52 zu hören und (de)
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| - إيميل بارنز (بالإنجليزية: Emile Barnes) هو عازف جاز أمريكي، ولد في 18 فبراير 1892 في نيو أورلينز في الولايات المتحدة، وتوفي في 2 مارس 1970. (ar)
- Emile Barnes (* 18. Februar 1892 in New Orleans; † 2. März 1970 ebenda) war ein US-amerikanischer Jazz-Klarinettist des New Orleans Jazz. Barnes lernte bei Lorenzo Tio Junior, Alphonse Picou, George Baquet und Big Eye Louis Nelson Klarinette und war ab 1908 in New Orleans als Musiker aktiv, spielte mit Buddy Petit und während der 1920er Jahre in der Band von Chris Kelly. In den beiden nächsten Jahrzehnten arbeitete er größtenteils außerhalb der Musikszene, spielte aber in den 1930er Jahren in der Camelia Band von Wooden Joe Nicholas und in den späten 1940er Jahren mit Kid Howard. Bekannt wurde er außerhalb von New Orleans mit dem Revival, das mit der Eröffnung der Preservation Hall 1961 einherging. Er war auf mehreren New-Orleans-Kompilationen von Folkways Records von 1951/52 zu hören und nahm 1961 und 1963 für Jazzology auf. Sein Bruder Polo Barnes ist ebenfalls Klarinettist. (de)
- Emile Barnes (18 February 1892 – 2 March 1970) was a New Orleans jazz clarinetist. Barnes studied under Lorenzo Tio Jr., Alphonse Picou, George Baquet, and Louis Nelson Delisle (also known as "Big Eye" Louis Nelson). Active professionally in New Orleans by 1908, he was long well regarded locally for his bluesy and distinctively individualistic style. He played with the Chris Kelly band in from the late 1910s through the 1920s. Barnes did not become widely known to jazz fans outside of New Orleans until he made recordings during the revival era for American Music Records. He performed at the opening night of Preservation Hall and also in his later years. In the 1930s he played with Wooden Joe Nicholas, and in the 1940s with Kid Howard. Barnes was featured on several Folkways Records New Orleans compilation albums during the 1950s, and again in the early 60s as a solo artist. When British trumpeter Ken Colyer jumped ship and visited New Orleans in 1953, he recorded with a pick-up band including Barnes. Emile Barnes' younger brother Paul "Polo" Barnes was also a noted professional clarinetist. (en)
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