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"Don't Cry Baby" is a song composed by James P. Johnson, with lyrics by Saul Bernie, and Stella Unger. The song was first recorded on October 11, 1929 by Bessie Smith, who was accompanied on piano by Johnson. The song was revived in 1943 by jazz bandleader Erskine Hawkins, who greatly simplified Johnson's original composition by removing both the introductory (sectional) verse and the "B" section of the chorus. This simplified arrangement formed the basis of most later recordings on the song. Throughout the late 1940s and 1950s, the song was recorded fairly regularly (by artists working in genres including western swing, traditional pop, and rhythm & blues), but was not a hit again until Etta James recorded it in 1961. Between 1962 and 1964, versions were released by James Brown, Aretha Fr

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  • Don't Cry Baby (en)
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  • "Don't Cry Baby" is a song composed by James P. Johnson, with lyrics by Saul Bernie, and Stella Unger. The song was first recorded on October 11, 1929 by Bessie Smith, who was accompanied on piano by Johnson. The song was revived in 1943 by jazz bandleader Erskine Hawkins, who greatly simplified Johnson's original composition by removing both the introductory (sectional) verse and the "B" section of the chorus. This simplified arrangement formed the basis of most later recordings on the song. Throughout the late 1940s and 1950s, the song was recorded fairly regularly (by artists working in genres including western swing, traditional pop, and rhythm & blues), but was not a hit again until Etta James recorded it in 1961. Between 1962 and 1964, versions were released by James Brown, Aretha Fr (en)
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  • "Don't Cry Baby" is a song composed by James P. Johnson, with lyrics by Saul Bernie, and Stella Unger. The song was first recorded on October 11, 1929 by Bessie Smith, who was accompanied on piano by Johnson. The song was revived in 1943 by jazz bandleader Erskine Hawkins, who greatly simplified Johnson's original composition by removing both the introductory (sectional) verse and the "B" section of the chorus. This simplified arrangement formed the basis of most later recordings on the song. Throughout the late 1940s and 1950s, the song was recorded fairly regularly (by artists working in genres including western swing, traditional pop, and rhythm & blues), but was not a hit again until Etta James recorded it in 1961. Between 1962 and 1964, versions were released by James Brown, Aretha Franklin, and Ray Charles. Since the mid-1960s, the song has been occasionally revived. (en)
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