Dán Díreach (pronounced [ˌd̪ˠaːn̪ˠ ˈdʲiːɾʲəx]; Irish for "direct verse") is a style of poetry developed in Ireland from the 12th century until the destruction of Gaelic society in the mid 17th century. It was a complex form of recitative designed to be chanted to the accompaniment of a harp. This poetry was often delivered by a professional reciter called a reacaire (reciter) or marcach duaine (poem rider). It was the specialised production of the professional poets known as Filidh (Seer). The complexities of the structure becomes more understandable when we consider that Irish poetry evolved primarily as an orally transmitted art. They were not intended to be read, but recited in public. Form, structure, rhythm and rhyme, intonation, and expression all play an essential part of the perfor
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| - Dán Díreach (en)
- Dán díreach (ga)
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| - Dán Díreach (pronounced [ˌd̪ˠaːn̪ˠ ˈdʲiːɾʲəx]; Irish for "direct verse") is a style of poetry developed in Ireland from the 12th century until the destruction of Gaelic society in the mid 17th century. It was a complex form of recitative designed to be chanted to the accompaniment of a harp. This poetry was often delivered by a professional reciter called a reacaire (reciter) or marcach duaine (poem rider). It was the specialised production of the professional poets known as Filidh (Seer). The complexities of the structure becomes more understandable when we consider that Irish poetry evolved primarily as an orally transmitted art. They were not intended to be read, but recited in public. Form, structure, rhythm and rhyme, intonation, and expression all play an essential part of the perfor (en)
- Dán díreach a thugtar ar fhilíocht Ghaeilge i meadarachtaí siollacha mar a bhí sí á scríobh ag filí oilte gairmiúla in Éirinn agus in Albain idir na blianta 1200 agus 1600. Is iomaí ábhar a bhíodh á gcíoradh sa dán díreach ach ba iad an dán adhmholta agus an marbhna is mó a bhíodh á gcumadh. Tá aortha agus dánta pearsanta ar marthain ach ní mór an méid acu a tháinig slán. Tá sé maíte go mb’fhéidir gur iarsma den phágántacht a bhí sa dán adhmholta agus é de chumhacht aige rath a chur ar an bhflaith. Tá sé maíte freisin gurbh oifigeach i gcúirt an taoisigh é an file agus go dtugtaí ómós dó dá réir. Bhí súil ag an bhfile i gcónaí go bhfaigheadh sé cúiteamh fial as a shaothar. (ga)
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| - Dán Díreach (pronounced [ˌd̪ˠaːn̪ˠ ˈdʲiːɾʲəx]; Irish for "direct verse") is a style of poetry developed in Ireland from the 12th century until the destruction of Gaelic society in the mid 17th century. It was a complex form of recitative designed to be chanted to the accompaniment of a harp. This poetry was often delivered by a professional reciter called a reacaire (reciter) or marcach duaine (poem rider). It was the specialised production of the professional poets known as Filidh (Seer). The complexities of the structure becomes more understandable when we consider that Irish poetry evolved primarily as an orally transmitted art. They were not intended to be read, but recited in public. Form, structure, rhythm and rhyme, intonation, and expression all play an essential part of the performance of poets. The aim was to amaze an audience with vocal virtuosity, knowledge, and spiritual depth. In this they must have succeeded as the Filidh came to be viewed with a sense of awe, respect and fear. The formal production of Dán Direach by trained poets came to an end with the destruction of Irish Gaelic society due to the Plantations of Ireland in the 17th century. However, the forms continued in folk memory as chants, prayers and informally delivered lays that continued to be recited in Gaelic speaking areas of Ireland and Scotland into the early 20th century. Gaelic poetical culture may have continued to influence Caribbean and African American forms of singing in the 17th and 18th century when the language was spoken by immigrants in the Caribbean and American south. Many hundreds of poems are still extant as they were collected into poem books called Duanaire by wealthy patrons. (en)
- Dán díreach a thugtar ar fhilíocht Ghaeilge i meadarachtaí siollacha mar a bhí sí á scríobh ag filí oilte gairmiúla in Éirinn agus in Albain idir na blianta 1200 agus 1600. Is iomaí ábhar a bhíodh á gcíoradh sa dán díreach ach ba iad an dán adhmholta agus an marbhna is mó a bhíodh á gcumadh. Tá aortha agus dánta pearsanta ar marthain ach ní mór an méid acu a tháinig slán. Tá sé maíte go mb’fhéidir gur iarsma den phágántacht a bhí sa dán adhmholta agus é de chumhacht aige rath a chur ar an bhflaith. Tá sé maíte freisin gurbh oifigeach i gcúirt an taoisigh é an file agus go dtugtaí ómós dó dá réir. Bhí súil ag an bhfile i gcónaí go bhfaigheadh sé cúiteamh fial as a shaothar. Bhí scoileanna dá gcuid féin ag an aos dána agus bhí ar an dalta máistreacht a fháil ar chastacht na healaíne agus eolas a fháil ar stair agus ar litríocht na hÉireann. B'éigean don dalta freastal ar an scoil ar feadh sé nó seacht de bhlianta sula n-éireodh leis an chéim ab airde a bhaint amach - an tOllamh. Canúint chaighdeánta liteartha a bhí á húsáid ag na filí, canúint a mhair gan athrú anuas go dtí lár an 17ú haois, d’ainneoin na n-athruithe a bhí ag teacht ar chaint na ndaoine. (ga)
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