The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fifth (respectively) lower than the standard oboe. Recent research, in particular that by oboe historian Bruce Haynes, suggests that such instruments may have been developed in France as part of an attempt to maintain the complete family of double reed instruments when the oboe was created from the shawm. There was an instrument referred to by H. de Garsault in 1761 as the basse de cromorne or basse de hautbois which was used by Lully, Charpentier, and other French Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's Treati
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| - Oboe contrabajo (es)
- Contrabass oboe (en)
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| - The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fifth (respectively) lower than the standard oboe. Recent research, in particular that by oboe historian Bruce Haynes, suggests that such instruments may have been developed in France as part of an attempt to maintain the complete family of double reed instruments when the oboe was created from the shawm. There was an instrument referred to by H. de Garsault in 1761 as the basse de cromorne or basse de hautbois which was used by Lully, Charpentier, and other French Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's Treati (en)
- El oboe contrabajo es un instrumento de viento madera de doble lengüeta afinado en Do, que suena dos octavas por debajo de un oboe normal. Se cree que este instrumento fue creado primero a mediados del siglo XVIII. Teniendo aproximadamente el mismo registro que el fagot, tenía, sin embargo,una distinta calidad tonal propia. Strauss afirma, en su edición del Tratado de la Instrumentación de Hector Berlioz, que su tono "...no tenía ni la menor similitud con el del fagot." (es)
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| - Finkelman, Michael. 2001. "Bass Oboes and Larger Forms". § III: 5 of Janet K. Page, Geoffrey Burgess, Bruce Haynes, and Michael Finkelman, "Oboe ". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
- Berlioz, Hector, and Richard Strauss. 1948. Treatise on Instrumentation, translated by Theodore Front. New York: Edwin F. Kalmus. (en)
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| - *Woodwind
*Wind
*Double reed (en)
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| - * Piccolo oboe
* Piccolo heckelphone
* Oboe
* Oboe d’amore
* Cor anglais (English horn)
* Oboe da caccia
* Heckelphone
* Lupophon (en)
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| - The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fifth (respectively) lower than the standard oboe. Recent research, in particular that by oboe historian Bruce Haynes, suggests that such instruments may have been developed in France as part of an attempt to maintain the complete family of double reed instruments when the oboe was created from the shawm. There was an instrument referred to by H. de Garsault in 1761 as the basse de cromorne or basse de hautbois which was used by Lully, Charpentier, and other French Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's Treatise on Instrumentation, that its tone "...had not the slightest similarity with the low tones of the bassoon" . Despite this distinction, the contrabass oboe never became popular or widely used, and few remain today. (en)
- El oboe contrabajo es un instrumento de viento madera de doble lengüeta afinado en Do, que suena dos octavas por debajo de un oboe normal. Se cree que este instrumento fue creado primero a mediados del siglo XVIII. Teniendo aproximadamente el mismo registro que el fagot, tenía, sin embargo,una distinta calidad tonal propia. Strauss afirma, en su edición del Tratado de la Instrumentación de Hector Berlioz, que su tono "...no tenía ni la menor similitud con el del fagot." A pesar de esta distinción, el oboe contrabajo nunca se volvió un instrumento popular o muy empleado, y quedan pocos detalles de él. (es)
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| hornbostel sachs
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| hornbostel sachs desc
| - Double-reeded aerophone with keys (en)
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