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About: Come from the Shadows     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatAlbumsProducedByMaynardSolomon, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albummusical workyago:Abstraction100002137yago:Album106591815yago:Artifact100021939yago:AuditoryCommunication107109019yago:Communication100033020yago:Instrumentality103575240yago:Medium106254669yago:Music107020895yago:MusicalComposition107037465yago:Object100002684yago:PhysicalEntity100001930yago:WikicatJoanBaezAlbumsyago:WikicatJoanBaezSongsalbumyago:Song107048000yago:Whole100003553yago:Wikicat1972Albumsyago:Wikicat1972Songsyago:WikicatA&MRecordsAlbumsyago:WikicatAlbumsProducedByMaynardSolomon New Facet based on Instances of this Class

Come from the Shadows is the thirteenth studio album (and fifteenth overall) by Joan Baez, released in 1972. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M, and attempted to point her career in a slightly more "commercial" direction (though the album still had overtly political overtones). In addition to her own compositions such as "Prison Trilogy","Love Song to a Stranger", "Myths", and "To Bobby" (addressed to Bob Dylan), Baez included John Lennon's "Imagine", Anna Marly's "Song of the Partisan", and Mimi Fariña's "In the Quiet Morning (for Janis Joplin)".