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The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos Molina, and Marta Cuervo Riverón, the Cuban guitar school has acquired an excellent international reputation since the 20th century, represented by important instrumentalists and composers such as Leo Brouwer, Carlos Molina, José Rey

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  • Guitarra clásica en Cuba (es)
  • Classical guitar in Cuba (en)
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  • The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos Molina, and Marta Cuervo Riverón, the Cuban guitar school has acquired an excellent international reputation since the 20th century, represented by important instrumentalists and composers such as Leo Brouwer, Carlos Molina, José Rey (en)
  • Este artículo aborda el tema de la guitarra clásica en Cuba. La guitarra (en la forma de su inmediato ancestro, la vihuela), fue el primer instrumento escuchado en Cuba después de los , las flautas y los tambores que tocaban los aborígenes que habitaban originalmente la isla, tal como ha sido documentado por como Bernal Díaz del Castillo.​ A través de los siglos, la guitarra ha continuado siendo uno de los más apreciados e importantes instrumentos en Cuba, tanto en la práctica de la música popular como en la tradición de la música clásica.​ Fundada por destacados profesores como , Isaac Nicola, Clara (Cuqui) Nicola y Marta Cuervo Riverón, la ha adquirido desde el siglo XX una excelente reputación a nivel internacional, representada por importantes instrumentistas y compositores, como Leo (es)
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  • The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos Molina, and Marta Cuervo Riverón, the Cuban guitar school has acquired an excellent international reputation since the 20th century, represented by important instrumentalists and composers such as Leo Brouwer, Carlos Molina, José Rey de la Torre, Juan Antonio Mercadal and Joaquín Clerch, among many others. (en)
  • Este artículo aborda el tema de la guitarra clásica en Cuba. La guitarra (en la forma de su inmediato ancestro, la vihuela), fue el primer instrumento escuchado en Cuba después de los , las flautas y los tambores que tocaban los aborígenes que habitaban originalmente la isla, tal como ha sido documentado por como Bernal Díaz del Castillo.​ A través de los siglos, la guitarra ha continuado siendo uno de los más apreciados e importantes instrumentos en Cuba, tanto en la práctica de la música popular como en la tradición de la música clásica.​ Fundada por destacados profesores como , Isaac Nicola, Clara (Cuqui) Nicola y Marta Cuervo Riverón, la ha adquirido desde el siglo XX una excelente reputación a nivel internacional, representada por importantes instrumentistas y compositores, como Leo Brouwer, José Rey de la Torre, Juan Antonio Mercadal y Joaquín Clerch, entre muchos otros.​ (es)
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