• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Cairo Station     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRailTransportFilms, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatArabic-languageFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1950sDramaFilmsyago:Wikicat1958Filmsyago:WikicatEgyptianFilmsyago:WikicatFilmsDirectedByYoussefChahineyago:WikicatRailTransportFilms New Facet based on Instances of this Class

Cairo Station, also called The Iron Gate (Arabic: باب الحديد Bāb al-Ḥadīd), is a 1958 Egyptian drama film directed by Youssef Chahine. It was entered for competition in the 8th Berlin International Film Festival. The film was selected as the Egyptian entry for the Best Foreign Language Film at the 31st Academy Awards, but was not accepted as a nominee. Since the 1970s, the film has found renewed interest with new generations of international film lovers and has been hailed as a masterpiece in the style of neorealist cinema.