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About: Bessie Marsh Brewer     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat20th-centuryCanadianPainters, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensArtistHumanAnimalanimaleukaryotespeciesyago:WikicatCanadianPrintmakersyago:WikicatCanadianSculptorsschema:Personyago:WikicatStudentsOfRobertHenriyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Enrollee110059162yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:Printmaker110475687yago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Sculptor110566072yago:Student110665698yago:Whole100003553yago:Wikicat20th-centuryCanadianPainters New Facet based on Instances of this Class

Bessie Marsh Brewer (1884–1952) was a Canadian-American printmaker, painter, sculptor and teacher. She studied at the New York School of Applied Design for Women and at the Art Students League with Robert Henri and John Sloan. She illustrated for Century, Phoenix, Collier's, and St. Nicholas magazines. She exhibited at the 1913 New York Armory Show where she showed three drawings, The Furnished Room, Curiosity and Putting Her Monday Name on Her Letterbox. Amongst the aforementioned skills, Bessie Marsh Brewer created in the styles of Realism, Representation, and Naturalism.