Aimé Paris (1798–1866) was a French scholar. He was the developer of a method of stenography, and co-developer and propagator of what became the of music notation. Paris studied mathematics and law, and became a lawyer. His techniques of memory were well known; at one point he was the "professeur de mnémonique" at the Athenée in Paris.
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| - أيميه باريس (ar)
- Aimé Paris (en)
- Aimé Paris (fr)
- Aimé Paris (pt)
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| - أيميه باريس (بالفرنسية: Aimé Paris) هو محامي فرنسي، ولد في 19 يونيو 1798 في باريس في فرنسا، وتوفي في 29 نوفمبر 1866. (ar)
- Aimé Paris (1798–1866) was a French scholar. He was the developer of a method of stenography, and co-developer and propagator of what became the of music notation. Paris studied mathematics and law, and became a lawyer. His techniques of memory were well known; at one point he was the "professeur de mnémonique" at the Athenée in Paris. (en)
- Aimé Paris (1798 - décembre 1866, Paris) est l'auteur d'une méthode de sténographie. (fr)
- Aimé Paris (Paris, 19 de junho de 1798 - Paris, 29 de novembro de 1866) foi um teórico musical e taquígrafo francês. No campo da teoria musical, Aimé é notório por conta do Método Galin-Paris-Chevé de notação musical. Já no campo da taquigrafia, ele foi a primeira pessoa a publicar uma versão do sistema mnemônico fonético em sua forma moderna. (pt)
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| - أيميه باريس (بالفرنسية: Aimé Paris) هو محامي فرنسي، ولد في 19 يونيو 1798 في باريس في فرنسا، وتوفي في 29 نوفمبر 1866. (ar)
- Aimé Paris (1798–1866) was a French scholar. He was the developer of a method of stenography, and co-developer and propagator of what became the of music notation. Paris studied mathematics and law, and became a lawyer. His techniques of memory were well known; at one point he was the "professeur de mnémonique" at the Athenée in Paris. (en)
- Aimé Paris (1798 - décembre 1866, Paris) est l'auteur d'une méthode de sténographie. (fr)
- Aimé Paris (Paris, 19 de junho de 1798 - Paris, 29 de novembro de 1866) foi um teórico musical e taquígrafo francês. No campo da teoria musical, Aimé é notório por conta do Método Galin-Paris-Chevé de notação musical. Já no campo da taquigrafia, ele foi a primeira pessoa a publicar uma versão do sistema mnemônico fonético em sua forma moderna. (pt)
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