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| - Abraham Valdelomar (* 27. April 1888 in Ica, Peru; † 1919 in Ayacucho) war ein peruanischer Schriftsteller und Journalist. (de)
- Пе́дро Абраа́м Вальделома́р Пи́нто (исп. Pedro Abraham Valdelomar Pinto; 27 апреля 1888, Писко, Перу — 3 ноября 1919, Аякучо) — перуанский писатель, поэт, журналист, эссеист и драматург. Считается основателем перуанского авангарда в литературе. Основатель журнала «Colónida». Портрет Абраама Вальделомара помещён на современную перуанскую банкноту 50 перуанских новых солей. Похоронен на кладбище «Пастор Матиас Маэстро». (ru)
- Pedro Abraham Valdelomar Pinto (April 27, 1888 - November 3, 1919) was a Peruvian narrator, poet, journalist, essayist and dramatist; he is considered the founder of the avant-garde in Peru, although more for his dandy-like public poses and his founding of the journal Colónida than for his own writing, which is lyrically posmodernista rather than aggressively experimental. Like Charles Baudelaire in 19th century Paris, he claimed to have made his country aware for the first time of the relationship between poetry and the market, and to have recognized the need for the writer to turn himself into a celebrity. (en)
- Abraham Valdelomar Pinto (Ica, 27 de abril de 1888-Ayacucho, 3 de noviembre de 1919), también mencionado como el Conde de Lemos, fue un narrador, poeta, periodista, dibujante, ensayista y dramaturgo peruano. Está considerado uno de los principales cuentistas del Perú, junto con Julio Ramón Ribeyro. (es)
- 亚伯拉罕·巴尔德洛玛尔·平托(1888年4月27日-1919年11月3日),也被称为莱莫斯伯爵,是一位秘鲁叙事作者、诗人、记者、 素描家、随笔作家与剧作家。和胡里奥·拉蒙·里贝罗一同被认为是秘鲁最重要的短篇小说家之一。 他的短篇小说在那时代的杂志和报纸出版了。他自己把这些小说汇编成两本书《卡尔梅洛骑士》(出版于利马于1918)和《太阳孩子们》(遗作出版于利马于1921)。其中出现秘鲁新克里奥尔式的短篇小说,有后现代主义特征, 标志了秘鲁现代叙事的起点。在他的第一本短篇小说《卡尔梅洛骑士》,使用古旧的词汇和典型的骑士小说的修辞来讲述一只战斗公鸡的悲伤故事,这是一个以皮斯科为背景的怀旧故事,讲述作者的童年时期。《太阳孩子们》是他从秘鲁历史中寻到的灵感,追溯到印加人的时代。 (zh)
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has abstract
| - Pedro Abraham Valdelomar Pinto (April 27, 1888 - November 3, 1919) was a Peruvian narrator, poet, journalist, essayist and dramatist; he is considered the founder of the avant-garde in Peru, although more for his dandy-like public poses and his founding of the journal Colónida than for his own writing, which is lyrically posmodernista rather than aggressively experimental. Like Charles Baudelaire in 19th century Paris, he claimed to have made his country aware for the first time of the relationship between poetry and the market, and to have recognized the need for the writer to turn himself into a celebrity. He has been pictured on the Peruvian sol S/ 50 banknote since its introduction in 1991. (en)
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