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The Beloved (also The Bride) is an oil painting on canvas by the English artist Dante Gabriel Rossetti (1828 – 1882), now in Tate Britain, London. Rossetti signed his initials (as a monogram) and the date as "1865-6" on the bottom left of the canvas. It depicts the bride, or "beloved", from the Song of Solomon in the Hebrew Bible as she approaches her bridegroom, with her attendants. It is generally agreed that Rossetti set out to show a range of skin colours within the figures, but the identification and interpretation of these varies greatly.

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rdf:type
rdfs:label
  • L'Estimat (Rossetti) (ca)
  • Η Αγαπημένη (el)
  • Oblubienica (pl)
  • The Beloved (Rossetti painting) (en)
  • Возлюбленная (картина) (ru)
rdfs:comment
  • L'Estimat (The Beloved, original en anglès; també conegut com La Núvia) és una pintura a l'oli sobre tela de l'artista anglès prerafaelita Dante Gabriel Rossetti, pintat el 1865 i que actualment està a la Tate Britain. (ca)
  • Η Αγαπημένη (επίσης Η Νύφη) είναι ελαιογραφία σε καμβά του Άγγλου καλλιτέχνη Ντάντε Γκάμπριελ Ροσέτι, που ζωγραφίστηκε αρχικά το 1865 και βρίσκεται σήμερα στην Πινακοθήκη Μοντέρνας Τέχνης Τέιτ στο Λονδίνο. (el)
  • Oblubienica (ang. The Beloved) – obraz olejny należącego do grupy prerafaelitów malarza Dantego Gabriela Rossettiego, namalowany w latach 1865–1866. Zleceniodawcą obrazu był George Rae, który zakupił płótno za 300 funtów. Od 1916 dzieło znajduje się w Tate Britain w Londynie. (pl)
  • «Возлюбленная» (Невеста)» — картина английского художника-прерафаэлита Данте Габриэля Россетти, созданная в 1865—1866 годы. В настоящее время картина находится в галерее Тейт. (ru)
  • The Beloved (also The Bride) is an oil painting on canvas by the English artist Dante Gabriel Rossetti (1828 – 1882), now in Tate Britain, London. Rossetti signed his initials (as a monogram) and the date as "1865-6" on the bottom left of the canvas. It depicts the bride, or "beloved", from the Song of Solomon in the Hebrew Bible as she approaches her bridegroom, with her attendants. It is generally agreed that Rossetti set out to show a range of skin colours within the figures, but the identification and interpretation of these varies greatly. (en)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dante_Gabriel_Rossetti_-_Venus_Verticordia.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Edouard_Manet_-_Olympia_-_Google_Art_ProjectFXD.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dante_gabriel_rossetti,_l'amata_(la_sposa),_1865-66.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dante_gabriel_rossetti,_l'amata_(la_sposa),_1865-66FXD.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/The_allegory_of_Alfonso_D'Avalos.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dante_Gabriel_Rossetti_Portrait_of_Alexa_Wilding.jpg
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