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The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it in 1925–26, at about the same time as he wrote his tone poem Tapiola. Sibelius derived two suites from the score. The music is said to display an astounding richness of imagination and inventive capacity, and is considered by some as one of Sibelius's greatest achievements. He represented individual characters through instrumentation choices: particularly admired was his use of harps and percussion to represent Prospero, said to capture the "resonant ambiguity of the character".

AttributesValues
rdf:type
rdfs:label
  • La tempestad (Sibelius) (es)
  • Musique de scène pour « la Tempête » (Sibelius) (fr)
  • La tempesta (Sibelius) (it)
  • テンペスト (シベリウス) (ja)
  • The Tempest (Sibelius) (en)
rdfs:comment
  • Musique de scène, écrite par Jean Sibelius en 1925 pour illustrer la pièce homonyme de William Shakespeare. C'est l'une des dernières œuvres du musicien finlandais, écrite entre la septième symphonie et Tapiola. Son exécution dure environ une heure. Elle est initialement composée pour chœur et orchestre et comporte 36 numéros. La numérotation suit le découpage de la pièce de théâtre ; chaque scène correspond à plusieurs numéros de la musique. Sibelius en a extrait deux suites orchestrales en 1927, chacune comprenant neuf numéros pour orchestre symphonique. (fr)
  • The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it in 1925–26, at about the same time as he wrote his tone poem Tapiola. Sibelius derived two suites from the score. The music is said to display an astounding richness of imagination and inventive capacity, and is considered by some as one of Sibelius's greatest achievements. He represented individual characters through instrumentation choices: particularly admired was his use of harps and percussion to represent Prospero, said to capture the "resonant ambiguity of the character". (en)
  • 『テンペスト』 作品109は、ジャン・シベリウスが作曲したシェイクスピアの戯曲『テンペスト』への付随音楽。作曲は1925年から1926年にかけて交響詩『タピオラ』と並行して進められた。本作からは2種類の組曲が作成されている。 この作品は驚くべき想像力と発想力の豊かさを示しているとされており、シベリウスの指折りの傑作とみなす者もいる。彼は楽器の選択により各登場人物を表現している。とりわけプロスペローを表すために用いられたハープと打楽器は高く評価されており、「この人物の共鳴する両義性」を捉えているとされる。 (ja)
  • La tempestad (Stormen), Op. 109, es una música incidental para La Tempestad de Shakespeare de Jean Sibelius. Fue compuesta entre 1925 y 1926, en aproximadamente la misma época que compuso su poema sinfónico Tapiola. Sibelius derivó dos suites para piano de esta partitura. (es)
  • La tempesta (Stormen), Op. 109, sono le musiche di scena per il lavoro teatrale La tempesta di Shakespeare, composta da Jean Sibelius nel 1925-1926, all'incirca nello stesso periodo in cui scrisse il suo poema sinfonico Tapiola. Sibelius ricavò anche due suite orchestrali dalla partitura. (it)
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  • The Tempest, Op.109 (en)
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  • La tempestad (Stormen), Op. 109, es una música incidental para La Tempestad de Shakespeare de Jean Sibelius. Fue compuesta entre 1925 y 1926, en aproximadamente la misma época que compuso su poema sinfónico Tapiola. Sibelius derivó dos suites para piano de esta partitura. La música muestra una asombrosa riqueza imaginativa y gran capacidad de inventiva, y es considerado por algunos como uno los mayores logros de Sibelius. Representó los caracteres individuales a través de diferente instrumentación: destaca el uso que hizo del arpa y percusión para representar a Próspero, capturando «la ambigüedad del personaje».​ (es)
  • Musique de scène, écrite par Jean Sibelius en 1925 pour illustrer la pièce homonyme de William Shakespeare. C'est l'une des dernières œuvres du musicien finlandais, écrite entre la septième symphonie et Tapiola. Son exécution dure environ une heure. Elle est initialement composée pour chœur et orchestre et comporte 36 numéros. La numérotation suit le découpage de la pièce de théâtre ; chaque scène correspond à plusieurs numéros de la musique. Sibelius en a extrait deux suites orchestrales en 1927, chacune comprenant neuf numéros pour orchestre symphonique. (fr)
  • La tempesta (Stormen), Op. 109, sono le musiche di scena per il lavoro teatrale La tempesta di Shakespeare, composta da Jean Sibelius nel 1925-1926, all'incirca nello stesso periodo in cui scrisse il suo poema sinfonico Tapiola. Sibelius ricavò anche due suite orchestrali dalla partitura. Si dice che la musica mostri un'incredibile ricchezza di immaginazione e capacità inventiva ed è considerata da alcuni come uno dei più grandi successi di Sibelius. Ha rappresentato i singoli personaggi attraverso scelte strumentali: particolarmente ammirato è stato il suo uso delle arpe e delle percussioni per rappresentare Prospero, si disse per catturare "la rilevante ambiguità del personaggio". (it)
  • The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it in 1925–26, at about the same time as he wrote his tone poem Tapiola. Sibelius derived two suites from the score. The music is said to display an astounding richness of imagination and inventive capacity, and is considered by some as one of Sibelius's greatest achievements. He represented individual characters through instrumentation choices: particularly admired was his use of harps and percussion to represent Prospero, said to capture the "resonant ambiguity of the character". (en)
  • 『テンペスト』 作品109は、ジャン・シベリウスが作曲したシェイクスピアの戯曲『テンペスト』への付随音楽。作曲は1925年から1926年にかけて交響詩『タピオラ』と並行して進められた。本作からは2種類の組曲が作成されている。 この作品は驚くべき想像力と発想力の豊かさを示しているとされており、シベリウスの指折りの傑作とみなす者もいる。彼は楽器の選択により各登場人物を表現している。とりわけプロスペローを表すために用いられたハープと打楽器は高く評価されており、「この人物の共鳴する両義性」を捉えているとされる。 (ja)
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