| rdfs:comment
| - Salon de mai (česky Květnový salón / Květnová výstava) je pravidelná výstava moderního umění v Paříži, která se poprvé konala v roce 1945. Výstavy probíhají v květnu v galerii Espace Commines na adrese Rue Commines č. 17 ve 3. obvodu. (cs)
- Le Salon de mai est un salon de peinture et de sculpture fondé à Paris, comme association, en octobre 1943, et qui disparaît le 11 mai 2014. L'association est déclarée à la fin de 1944. (fr)
- 살롱 드 메(Salon de Mai), 또는 5월의 전람회는 1945년에 비평가인 가스통 디르의 주장에 따라 파리에서 창설된 초대제(招待制)의 전람회이며 매년 5월에 개최된 데서 이 명칭이 생겼다. 이것은 1941년 5월에 독일군 점령하에 있었던 파리에서 개최된 '프랑스 전통 청년화가 미술전'의 레지스탕스 정신의 오의(奧義)를 계승하였고 바젠, 에스테브, 마네시에, 상지에 등 비구상계(非具象系) 화가들이 중심이 되었지만 미노, 로르주 뷔페 등 옴 테모앙(시대의 증인)계 그룹의 구상화가까지도 거부하지는 않았다. 이 점에서 1946년에 설립된 레알리테 느베르(新現實展)는 아르퉁, 폴리아코프, 바자렐리 등을 포용하여 순수 추상으로 향한 것과는 성격을 달리한다. 그러나 1947년 이후는 레알리테느베르계(系)의 화가까지도 흡수하여 전후(戰後)에 먼저 일어난 추상과 구상의 대립을 초월해서 추상이 우위를 차지하게 된 원동력이 되었다. (ko)
- El Salón de mayo en París (Le Salon de Mai en francés) fue creado en 1943 cuando, en la sala del fondo de un figón en la calle Dauphine, en París, un pequeño grupo de pintores, escultores y grabadores se reunió con el crítico de arte . Estos artistas no tenían ninguna línea estética específica, su estilo transitaba de lo figurativo al surrealismo o a la abstracción. Tuvieron en común los artistas reunidos en aquel salón, su oposición generalizada a la ideología nazi y la condena que expresaron del arte degenerado. (es)
- The Salon de Mai (the May Salon) is a group of French artists which formed in a café on the Rue Dauphine in Paris in 1943 during the German occupation of France. In 1943, the Salon de Mai was founded as an Association (declared in 1944) in opposition to Nazi ideology and its condemnation of degenerate art. It founder members were the art critic Gaston Diehl and the painters, sculptors and engravers Henri-Georges Adam, , , Robert Couturier, Jacques Despierre (who suggested naming the salon after the month in which its first meetings were held), , , Francis Gruber, Jean Le Moal, Alfred Manessier, André Marchand, , Gustave Singier, and , who together formed it direction committee. Several of them (Coutaud, Gischia, Le Moal, Manessier, Marchand, ORAZI, Pignon, Singier) participated in the 194 (en)
|
| has abstract
| - Salon de mai (česky Květnový salón / Květnová výstava) je pravidelná výstava moderního umění v Paříži, která se poprvé konala v roce 1945. Výstavy probíhají v květnu v galerii Espace Commines na adrese Rue Commines č. 17 ve 3. obvodu. (cs)
- El Salón de mayo en París (Le Salon de Mai en francés) fue creado en 1943 cuando, en la sala del fondo de un figón en la calle Dauphine, en París, un pequeño grupo de pintores, escultores y grabadores se reunió con el crítico de arte . Estos artistas no tenían ninguna línea estética específica, su estilo transitaba de lo figurativo al surrealismo o a la abstracción. Tuvieron en común los artistas reunidos en aquel salón, su oposición generalizada a la ideología nazi y la condena que expresaron del arte degenerado. Integraron la junta directiva inicial : Henri-Georges Adam, Emmanuel Auricoste, Lucien Coutaud, Robert Modisto, , Marcel Gili, Léon Gischia, Francis Gruber, , Alfred Manessier, , Édouard Pignon, Gustave Singier, Claude Venard y Varios de entre ellos (Coutaud, Gischia, El Moal, Manessier, Marchand, Pignon, Singier) habían, en 1941, participado en la exposición Veinte jóvenes pintores de tradición francesa. (es)
- Le Salon de mai est un salon de peinture et de sculpture fondé à Paris, comme association, en octobre 1943, et qui disparaît le 11 mai 2014. L'association est déclarée à la fin de 1944. (fr)
- The Salon de Mai (the May Salon) is a group of French artists which formed in a café on the Rue Dauphine in Paris in 1943 during the German occupation of France. In 1943, the Salon de Mai was founded as an Association (declared in 1944) in opposition to Nazi ideology and its condemnation of degenerate art. It founder members were the art critic Gaston Diehl and the painters, sculptors and engravers Henri-Georges Adam, , , Robert Couturier, Jacques Despierre (who suggested naming the salon after the month in which its first meetings were held), , , Francis Gruber, Jean Le Moal, Alfred Manessier, André Marchand, , Gustave Singier, and , who together formed it direction committee. Several of them (Coutaud, Gischia, Le Moal, Manessier, Marchand, ORAZI, Pignon, Singier) participated in the 1941 exhibition . Under its president Gaston Diehl the first Salon de Mai exhibition took place in the art galerie "Pierre Maurs" (3, avenue Matignon) from 29 May to 29 June 1945. Its honorary committee was made up of Germain Bazin, Jacques Dupont, René Huyghe, , , and . Its judging panel was headed by Jean Follain. The catalogue of this first Salon had a preface by Gaston Diehl, with texts by and , poems by Jacques Prévert, , , Jean Follain and Guillevic. Even after the liberation of Paris, and subsequently of France, logistical problems in the city remained serious and the lack of public spaces was a limitation. Consequently, in 1946 the Salon de Mai was organized on the fourth floor of the famous department store "Galeries Lafayettes", in 1947 it was held at the art gallery "Arts" (140, Faubourg Saint-Honoré), in 1948 at the art gallery Lambert-Marie (22, Place Vendôme). Only in 1949 the Salon de Mai was organized in the large rooms of the "Palais de New-York" (Avenue du Président Wilson), which then hosted it until 1954. In the following years, until 1968, it was held at the "Musée d'Art Moderne de la Ville de Paris". From 1969 onwards, the Salon de Mai had to deal with major logistical problems, so its exhibition often changed address. The 64th and last Salon de Mai took place from 6 to 11 May 2014 at the "Espace Commines" (17, rue Commines). Gaston Diehl has been the Founder - President of the Salon de Mai until his death, in 1997. (en)
- 살롱 드 메(Salon de Mai), 또는 5월의 전람회는 1945년에 비평가인 가스통 디르의 주장에 따라 파리에서 창설된 초대제(招待制)의 전람회이며 매년 5월에 개최된 데서 이 명칭이 생겼다. 이것은 1941년 5월에 독일군 점령하에 있었던 파리에서 개최된 '프랑스 전통 청년화가 미술전'의 레지스탕스 정신의 오의(奧義)를 계승하였고 바젠, 에스테브, 마네시에, 상지에 등 비구상계(非具象系) 화가들이 중심이 되었지만 미노, 로르주 뷔페 등 옴 테모앙(시대의 증인)계 그룹의 구상화가까지도 거부하지는 않았다. 이 점에서 1946년에 설립된 레알리테 느베르(新現實展)는 아르퉁, 폴리아코프, 바자렐리 등을 포용하여 순수 추상으로 향한 것과는 성격을 달리한다. 그러나 1947년 이후는 레알리테느베르계(系)의 화가까지도 흡수하여 전후(戰後)에 먼저 일어난 추상과 구상의 대립을 초월해서 추상이 우위를 차지하게 된 원동력이 되었다. (ko)
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)