• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Regional Mexican Albums     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:VisualCommunication106873252, within Data Space : dbpedia.org associated with source document(s)

Type: yago:WikicatBillboardChartsyago:Abstraction100002137yago:Chart106999802yago:Communication100033020singleyago:VisualCommunication106873252 New Facet based on Instances of this Class

Regional Mexican Albums is a genre-specific record chart published weekly by Billboard magazine in the United States. The chart was established in June 1985 and originally listed the top twenty-five best-selling albums of mariachi, tejano, norteño, and grupero, which are all sub genres of regional Mexican music. The genre is considered by musicologist as being "the biggest-selling Latin music genre in the United States", and represented the fastest ever growing Latin genre in the United States after tejano music entered the mainstream market during its 1990s golden age. Originally, Billboard based their methodology on sales surveys it sent out to record stores across the United States and by 1991 began monitoring point-of-sales compiled from Nielsen Soundscan. Musicologist and critics have