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Reed Phase, also called Three Reeds, is an early work by the American minimalist composer Steve Reich. It was written originally in 1966 for soprano saxophone and two soprano saxophones recorded on magnetic tape, titled at that time Saxophone Phase, and was later published in two versions: one for any reed instrument and tape (titled Reed Phase), the other for three reed instruments of exactly the same kind (in which case the title is Three Reeds). It was Reich's first attempt at applying his "phasing" technique, which he had previously used in the tape pieces It's Gonna Rain (1965) and Come Out (1966), to live performance.

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  • Reed Phase (fr)
  • Reed Phase (en)
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  • Reed Phase, also called Three Reeds, is an early work by the American minimalist composer Steve Reich. It was written originally in 1966 for soprano saxophone and two soprano saxophones recorded on magnetic tape, titled at that time Saxophone Phase, and was later published in two versions: one for any reed instrument and tape (titled Reed Phase), the other for three reed instruments of exactly the same kind (in which case the title is Three Reeds). It was Reich's first attempt at applying his "phasing" technique, which he had previously used in the tape pieces It's Gonna Rain (1965) and Come Out (1966), to live performance. (en)
  • Reed Phase, aussi appelée Saxophone Phase et Three Reeds, est une des premières œuvres du compositeur américain Steve Reich écrite en 1966, pour saxophone soprano et bande magnétique. C'est la première tentative du compositeur d'appliquer la technique de phasing à un instrument, et non plus à une bande magnétique. L'œuvre est considérée par Reich comme ratée, et est depuis mise à l'écart de ses listes d'œuvres importantes et est peu jouée. (fr)
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  • Reich, Steve. 2002. Writings on Music 1965–2000, edited with an introduction by Paul Hillier. Oxford and New York: Oxford University Press. ; . (en)
  • Potter, Keith. 2000. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge and New York: Cambridge University Press. . (en)
  • Warburton, Dan. 1988. "A Working Terminology for Minimal Music". Intégral 2: 135–159. (en)
  • Gibson, Jon. 1992. Liner notes to CD recording, In Good Company. Point Music 6042; Point Music 434 873-2. New York: Point Music. (en)
  • Reich, Steve. 1968. Reed Phase . Source: Music of the Avant Garde 2, no. 1 : 69–71. (en)
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  • Reed Phase, also called Three Reeds, is an early work by the American minimalist composer Steve Reich. It was written originally in 1966 for soprano saxophone and two soprano saxophones recorded on magnetic tape, titled at that time Saxophone Phase, and was later published in two versions: one for any reed instrument and tape (titled Reed Phase), the other for three reed instruments of exactly the same kind (in which case the title is Three Reeds). It was Reich's first attempt at applying his "phasing" technique, which he had previously used in the tape pieces It's Gonna Rain (1965) and Come Out (1966), to live performance. (en)
  • Reed Phase, aussi appelée Saxophone Phase et Three Reeds, est une des premières œuvres du compositeur américain Steve Reich écrite en 1966, pour saxophone soprano et bande magnétique. C'est la première tentative du compositeur d'appliquer la technique de phasing à un instrument, et non plus à une bande magnétique. L'œuvre est considérée par Reich comme ratée, et est depuis mise à l'écart de ses listes d'œuvres importantes et est peu jouée. (fr)
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