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Radojica Živanović Noe (Belgrade, 1903 – Belgrade, 1944) was a painter and graphic artist of the period of Surrealism and a writer. He left a small number of compositions, still lifes, landscapes and drawings. The most significant period of Živanović's artistic creation is his affiliation with the Surrealist movement (1930–33). He was one of the thirteen signatories of the Manifesto of Surrealism and the only professional painter in the group of artists who initiated the Belgrade Surrealist movement.

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  • Radojica Živanović Noe (en)
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  • Radojica Živanović Noe (Belgrade, 1903 – Belgrade, 1944) was a painter and graphic artist of the period of Surrealism and a writer. He left a small number of compositions, still lifes, landscapes and drawings. The most significant period of Živanović's artistic creation is his affiliation with the Surrealist movement (1930–33). He was one of the thirteen signatories of the Manifesto of Surrealism and the only professional painter in the group of artists who initiated the Belgrade Surrealist movement. (en)
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  • Radojica Živanović Noe (Belgrade, 1903 – Belgrade, 1944) was a painter and graphic artist of the period of Surrealism and a writer. He left a small number of compositions, still lifes, landscapes and drawings. The most significant period of Živanović's artistic creation is his affiliation with the Surrealist movement (1930–33). He was one of the thirteen signatories of the Manifesto of Surrealism and the only professional painter in the group of artists who initiated the Belgrade Surrealist movement. He published surrealist works in the Almanac Nemoguće-L'Impossible and magazine Surrealism today and here. He is the first and most consistent surrealist in Yugoslav painting. He replaced the surrealist phase by painting still lifes in the manner of Paul Cézanne, a landscape from Serbia under the influence of classical Impressionism and realistic portraits. As a member of the group known as the "Life art association," he advocated social art, more theoretically than practically. He led controversies and wrote art reviews. For some time he was an art critic at the newspaper Politika. His works can be found in National Museum in Belgrade, Museum of Contemporary Art, and the Art Gallery of Bosnia and Herzegovina in Sarajevo as well as private collections. (en)
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