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About: Paulo Moura     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleFromSãoJoséDoRioPreto, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonschema:MusicGroupEukaryotePersonArtistHumanAnimalyago:WikicatBrazilianComposersyago:WikicatBrazilianSaxophonistsanimaleukaryotespeciesyago:WikicatClarinetistsschema:Personyago:WikicatMilestoneRecordsArtistsyago:Artist109812338yago:CausalAgent100007347yago:Clarinetist109926246yago:Composer109947232yago:Creator109614315yago:Entertainer109616922yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoartistmusical artistyago:Saxophonist110554243yago:Whole100003553yago:WikicatPeopleFromSãoJoséDoRioPreto New Facet based on Instances of this Class

Paulo Moura (15 July 1932 – 12 July 2010) was a Brazilian clarinetist and saxophonist. Born in São José do Rio Preto, where his father was the maestro of a marching band and encouraged his son to train as a tailor, Paulo instead studied in the National Music School and performed with the Brazilian Symphonic Orchestra. He was the first black artist to become first clarinetist in the Municipal Theatre Orchestra. He appeared at Bossa Nova night at Carnegie Hall in 1962 with Sérgio Mendes, the two of them also featuring on Cannonball Adderley's 1962 album, Cannonball's Bossa Nova. He won the Sharp Award for the most popular instrumentalist of the year in 1992.