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Paul Dash (born 1946) is a Barbados-born artist, educator and writer who in 1957 migrated to Britain, where he was associated with the 1960s Caribbean Artists Movement (CAM), taking part in their meetings and exhibitions. Describing the subject matter of his paintings, Dash has said: "The key themes in my work are street festivals and carnival (mas). It is partly in these popular art forms that African diasporic communities throughout the Americas and elsewhere maintain continuity with African traditions. My identity as an artist is fixed in the fun and spectacle, and ultimately the social and political resistance of mas." His pedagogical writing has been particularly concerned with multicultural and anti-racist art education.

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  • Paul Dash (en)
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  • Paul Dash (born 1946) is a Barbados-born artist, educator and writer who in 1957 migrated to Britain, where he was associated with the 1960s Caribbean Artists Movement (CAM), taking part in their meetings and exhibitions. Describing the subject matter of his paintings, Dash has said: "The key themes in my work are street festivals and carnival (mas). It is partly in these popular art forms that African diasporic communities throughout the Americas and elsewhere maintain continuity with African traditions. My identity as an artist is fixed in the fun and spectacle, and ultimately the social and political resistance of mas." His pedagogical writing has been particularly concerned with multicultural and anti-racist art education. (en)
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  • Paul Dash (en)
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  • Paul Dash (en)
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  • British (en)
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  • Foreday Morning (en)
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  • Paul Dash (born 1946) is a Barbados-born artist, educator and writer who in 1957 migrated to Britain, where he was associated with the 1960s Caribbean Artists Movement (CAM), taking part in their meetings and exhibitions. Describing the subject matter of his paintings, Dash has said: "The key themes in my work are street festivals and carnival (mas). It is partly in these popular art forms that African diasporic communities throughout the Americas and elsewhere maintain continuity with African traditions. My identity as an artist is fixed in the fun and spectacle, and ultimately the social and political resistance of mas." His pedagogical writing has been particularly concerned with multicultural and anti-racist art education. (en)
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