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Ophélie n'est pas Morte or Ophelia Is Not Dead is a drama written originally in French in 1968 by Moroccan actor and director Nabyl Lahlou. The play is based on the characters of two dramas by Shakespeare, Hamlet and Macbeth, however the storyline is put in a contemporary setting and revolves around the concepts of censorship, identity, and artistic freedom in a post-colonised world from the perspective of the oppressed, with a lot of references to Morocco. There is an underlying stagnation, an “impasse” as Lahlou refers to it, which affects the characters throughout the play.

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  • Ophélie n'est pas Morte (en)
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  • Ophélie n'est pas Morte or Ophelia Is Not Dead is a drama written originally in French in 1968 by Moroccan actor and director Nabyl Lahlou. The play is based on the characters of two dramas by Shakespeare, Hamlet and Macbeth, however the storyline is put in a contemporary setting and revolves around the concepts of censorship, identity, and artistic freedom in a post-colonised world from the perspective of the oppressed, with a lot of references to Morocco. There is an underlying stagnation, an “impasse” as Lahlou refers to it, which affects the characters throughout the play. (en)
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  • Ophélie n'est pas Morte or Ophelia Is Not Dead is a drama written originally in French in 1968 by Moroccan actor and director Nabyl Lahlou. The play is based on the characters of two dramas by Shakespeare, Hamlet and Macbeth, however the storyline is put in a contemporary setting and revolves around the concepts of censorship, identity, and artistic freedom in a post-colonised world from the perspective of the oppressed, with a lot of references to Morocco. There is an underlying stagnation, an “impasse” as Lahlou refers to it, which affects the characters throughout the play. (en)
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