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Nose, Iranian Style is a 2005 Iranian documentary film directed by Mehrdad Oskouei. It is about nose jobs (rhinoplasty) in Iran, which statistically has the most of any country. The documentary employs a semi-comedic tone, with the title referencing the earlier film Divorce, Iranian Style. Nose, Iranian Style relates the trend to politics, with it and the 2007 documentary connecting it to the importance of appearance, given the taboo of men and women directly and socially interacting. However, Oskouei said the film was truly a critique of excessive consumerism.

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  • Nose, Iranian Style (en)
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  • Nose, Iranian Style is a 2005 Iranian documentary film directed by Mehrdad Oskouei. It is about nose jobs (rhinoplasty) in Iran, which statistically has the most of any country. The documentary employs a semi-comedic tone, with the title referencing the earlier film Divorce, Iranian Style. Nose, Iranian Style relates the trend to politics, with it and the 2007 documentary connecting it to the importance of appearance, given the taboo of men and women directly and socially interacting. However, Oskouei said the film was truly a critique of excessive consumerism. (en)
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  • Nose, Iranian Style (en)
name
  • Nose, Iranian Style (en)
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cinematography
  • Reza Teymouri (en)
country
  • Iran (en)
director
distributor
  • Sheherazad Media International , Katayoon Shahabi (en)
editing
  • Maziar Miri, Babak Karimi (en)
language
  • Persian (en)
music
  • Ali Samadpour (en)
producer
  • Mehrdad Oskouei, Oskouei Film Production (en)
runtime
writer
  • Mehrdad Oskouei (en)
has abstract
  • Nose, Iranian Style is a 2005 Iranian documentary film directed by Mehrdad Oskouei. It is about nose jobs (rhinoplasty) in Iran, which statistically has the most of any country. The documentary employs a semi-comedic tone, with the title referencing the earlier film Divorce, Iranian Style. Nose, Iranian Style relates the trend to politics, with it and the 2007 documentary connecting it to the importance of appearance, given the taboo of men and women directly and socially interacting. However, Oskouei said the film was truly a critique of excessive consumerism. Variety critic Deborah Young positively reviewed Nose, Iranian Style as "A surprising, compulsively watchable documentary." It became Oskouei's most famous film internationally. (en)
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