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About: Michael Stringer     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatProductionDesigners, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatBritishFilmDesignersyago:WikicatBritishPeopleanimaleukaryotespeciesschema:Personyago:ArtDirector109811112yago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Director110015215yago:Expert109617867yago:Illustrator109812068yago:InteriorDesigner110210648yago:Leader109623038yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Specialist110631941yago:StageDirector110645223yago:Superior110676018yago:Supervisor110676877yago:Whole100003553yago:Wikicat20th-centuryEnglishPaintersyago:Wikicat21st-centuryEnglishPaintersyago:WikicatEnglishArtDirectorsyago:WikicatEnglishIllustratorsyago:WikicatProductionDesigners New Facet based on Instances of this Class

John Michael Stringer (26 July 1924 – 7 March 2004) was a film production designer, art director, painter and illustrator. Stringer's work as art director on Fiddler on the Roof (1971), involving much shooting in Yugoslavia, earned him an Academy Award nomination shared with the Hollywood production designer Robert Boyle and set decorator Peter Lamont, but they lost to Nicholas and Alexandra. His later assignments included The Greek Tycoon (1978), The Awakening (1980), The Mirror Crack'd (1980), and The Jigsaw Man (1983) before he moved into television with excellent sets for the Ian Richardson version of The Hound of the Baskervilles (1983). He designed the TV series Paradise Postponed (1986) and, as in the earlier Inspector Clouseau, his resemblance to Harold Wilson led to his making a c