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The Master of the Grudziądz Altarpiece was a Bohemian artist, active at the end of the 14th and the beginning of the 15th century. His name is derived from an altarpiece which hung in the castle of the Teutonic Knights in Grudziądz (German: Graudenz), and may now be seen in National Museum in Warsaw. Closed, the altarpiece depicts the Noli me tangere and the resurrection of the dead on two registers to the left; on the right, Christ in Majesty and the Virgin and John the Apostle. The wings show eight scenes from the Passion, while inside are scenes from the Life of the Virgin. At the center is an image of the Death and Coronation of the Virgin.

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  • Maestro dell'Altare di Graudenz (it)
  • Master of the Graudenz Altarpiece (en)
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  • The Master of the Grudziądz Altarpiece was a Bohemian artist, active at the end of the 14th and the beginning of the 15th century. His name is derived from an altarpiece which hung in the castle of the Teutonic Knights in Grudziądz (German: Graudenz), and may now be seen in National Museum in Warsaw. Closed, the altarpiece depicts the Noli me tangere and the resurrection of the dead on two registers to the left; on the right, Christ in Majesty and the Virgin and John the Apostle. The wings show eight scenes from the Passion, while inside are scenes from the Life of the Virgin. At the center is an image of the Death and Coronation of the Virgin. (en)
  • Il Maestro dell'Altare di Graudenz (... – ...; fl. XIV-XV secolo) è stato un pittore anonimo ceco attivo in Boemia tra la fine del XIV secolo e l'inizio del XV secolo. L'altare di Grudziądz L'anonimo artista boemo deve il suo nome all'Altare a battenti, proveniente dalla cappella del castello dei cavalieri Teutonici di Graudenz, oggi Grudziądz, e ora conservato nel Museo Nazionale di Varsavia. L'altare chiuso presenta a sinistra, su due registri, il Cristo morto e la Resurrezione dei morti; a destra, il Cristo giudice e sotto, la Vergine e san Giovanni intercedente. (it)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Grudziądz_Polyptych_15.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Grudziądz_Polyptych_16.jpg
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  • Grudziądz Polyptych (en)
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  • vertical (en)
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  • Grudziądz Altarpiece (en)
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  • Grudziądz_Polyptych_15.jpg (en)
  • Grudziądz_Polyptych_16.jpg (en)
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  • The Master of the Grudziądz Altarpiece was a Bohemian artist, active at the end of the 14th and the beginning of the 15th century. His name is derived from an altarpiece which hung in the castle of the Teutonic Knights in Grudziądz (German: Graudenz), and may now be seen in National Museum in Warsaw. Closed, the altarpiece depicts the Noli me tangere and the resurrection of the dead on two registers to the left; on the right, Christ in Majesty and the Virgin and John the Apostle. The wings show eight scenes from the Passion, while inside are scenes from the Life of the Virgin. At the center is an image of the Death and Coronation of the Virgin. It seems probable that the Master worked on the altarpiece with the aid of another artist; he seems to have been responsible for the Coronation scenes himself, showing a debt to the Master of the Třeboň Altarpiece in the process. The Passion cycle is likely by the hand of a painter from Lower Saxony, from the circle of Master Bertram. (en)
  • Il Maestro dell'Altare di Graudenz (... – ...; fl. XIV-XV secolo) è stato un pittore anonimo ceco attivo in Boemia tra la fine del XIV secolo e l'inizio del XV secolo. L'altare di Grudziądz L'anonimo artista boemo deve il suo nome all'Altare a battenti, proveniente dalla cappella del castello dei cavalieri Teutonici di Graudenz, oggi Grudziądz, e ora conservato nel Museo Nazionale di Varsavia. L'altare chiuso presenta a sinistra, su due registri, il Cristo morto e la Resurrezione dei morti; a destra, il Cristo giudice e sotto, la Vergine e san Giovanni intercedente. I battenti aperti presentano otto Scene della Passione; mentre tuttoaperto, l'altare mostra sei scene della Vita della Vergine, con al centro la Morte della Vergine e l'Incoronazione. Probabilmente a questo altare lavorarono due maestri, il Maestro dell'Altare di Graudenz, fu responsabile del complesso e della serie dedicata alla Vergine, tranne l'Incoronazione, avvicinandosi nei modi al Maestro dell'Altare di Třeboň; mentre il ciclo della Passione sarebbe dovuto ad un artista della Bassa Sassonia, vicino nei modi a Maestro Bertram. (it)
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  • #BBDD99 (en)
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