Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix Resurrección Hidalgo. The painting is alternately known as The Christian Virgins Exposed to the Rabble, Jovenes Cristianas Expuestas al Populacho (Christian Maidens Exposed to the Populace), Christian Virgins Presented to the Populace, The Christian Virgins Being Exposed to the Populace, and Christian Virgins Exposed to the Mob.
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| - Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix Resurrección Hidalgo. The painting is alternately known as The Christian Virgins Exposed to the Rabble, Jovenes Cristianas Expuestas al Populacho (Christian Maidens Exposed to the Populace), Christian Virgins Presented to the Populace, The Christian Virgins Being Exposed to the Populace, and Christian Virgins Exposed to the Mob. (en)
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| - Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix Resurrección Hidalgo. The painting is alternately known as The Christian Virgins Exposed to the Rabble, Jovenes Cristianas Expuestas al Populacho (Christian Maidens Exposed to the Populace), Christian Virgins Presented to the Populace, The Christian Virgins Being Exposed to the Populace, and Christian Virgins Exposed to the Mob. The painting was a silver medalist (ninth silver medal award among forty-five) during the 1884 Exposicion General de Bellas Artes in Madrid, Spain, also known as the Madrid Exposition. According to Raquel A.G. Reyes, Hidalgo's winning the silver medal for the painting was a landmark achievement that proved the ability of Filipinos to match the work of Spaniards and laid claim to Filipino participation in European culture. Regarded as one of the national treasures of the Philippines, a copy of the painting is part of the art collection of the Bangko Sentral ng Pilipinas (Central Bank of the Philippines). The original was destroyed in a fire at the University of Valladolid in Spain. From 2015 until 2020, the painting was on a five-year loan to National Gallery Singapore as part of its Southeast Asian art galleries. (en)
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