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Johann Evangelist Holzer (December 24, 1709 – July 21, 1740) was an Austrian-German painter. Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of , then the abbot of the abbey, convinced his father to yield to his wishes. He studied under and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing al

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  • Johann Evangelist Holzer (de)
  • Johann Evangelist Holzer (es)
  • Johann Evangelist Holzer (en)
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  • Johann Evangelist Holzer (* 24. Dezember 1709 in Burgeis, Südtirol; † 21. Juli 1740 in Clemenswerth) war ein deutsch-österreichischer Maler des Augsburger Rokoko, der vor allem Fresken mit originellen Genreszenen malte und dabei Licht und Schatten hervorragend beherrschte. (de)
  • Johann Evangelist Holzer (December 24, 1709 – July 21, 1740) was an Austrian-German painter. Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of , then the abbot of the abbey, convinced his father to yield to his wishes. He studied under and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing al (en)
  • Johann Evangelist Holzer (24 de diciembre de 1709 – 21 de julio de 1740) fue un pintor austro-alemán. Holzer nació en Burgeis en Val Venosta de Tirol, como hijo de un molinero. Fue enviado a emprender un curso clásico de estudio en la , pero deseaba estudiar arte; un retrato que pintó de , entonces el abad de la abadía, convencieron a su padre de rendirse a sus deseos. Estudió con e hizo un rápido progreso. A los dieciocho años de edad pintó el retablo de la abadía de Marienberg, representando a san José como patrono de los afligidos, enfermos y moribundos. Entonces se fue a Straubing, donde aprendió a pintar frescos con , que se convertiría en la fuente principal de su fama posterior. Ayudó a Merz a pintar los frescos de la , y mientras en Straubing también pintó San Antonio de Padua par (es)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Holzer_Gründung_des_Klosters_Oberalteich.jpg
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  • Johann Evangelist Holzer (* 24. Dezember 1709 in Burgeis, Südtirol; † 21. Juli 1740 in Clemenswerth) war ein deutsch-österreichischer Maler des Augsburger Rokoko, der vor allem Fresken mit originellen Genreszenen malte und dabei Licht und Schatten hervorragend beherrschte. (de)
  • Johann Evangelist Holzer (December 24, 1709 – July 21, 1740) was an Austrian-German painter. Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of , then the abbot of the abbey, convinced his father to yield to his wishes. He studied under and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing also painted Saint Anthony of Padua for the Franciscan church there. 1738/39 was in the painting of Eichstätt for the high altar of the It is Holzer's largest painting on canvas (H: 8,36 m; B: 4,28 m) and impresses through movement, gesture, a dynamic composition, and a sophisticated lighting design. Although there are two pictures (side altars) signatures of Bergmüller, they will Holzer, assigned by the archives occupied painter of the high altar painting. Following this period, he went to Augsburg, where he stayed with Johann Georg Bergmüller for six years, and became considerably better known. His services were particularly in demand in Augsburg for painting frescos for public buildings and on the exteriors of houses, though few of these now survive. Among his works in other locations are a fresco in the garden hall of the Bishop of Eichstädt, an altarpiece for the Jesuitenkirche in Eichstädt, an altarpiece depicting Saint Michael in the abbey church of Diessen, and a fresco in the in Partenkirchen. His last and largest works are frescos for Münsterschwarzach Abbey. At the time of his death Holzer had been commissioned by Clemens August of Bavaria to paint frescos in the Hofkirche of Clemenswerth, but he died in 1740 before his arrival there. (en)
  • Johann Evangelist Holzer (24 de diciembre de 1709 – 21 de julio de 1740) fue un pintor austro-alemán. Holzer nació en Burgeis en Val Venosta de Tirol, como hijo de un molinero. Fue enviado a emprender un curso clásico de estudio en la , pero deseaba estudiar arte; un retrato que pintó de , entonces el abad de la abadía, convencieron a su padre de rendirse a sus deseos. Estudió con e hizo un rápido progreso. A los dieciocho años de edad pintó el retablo de la abadía de Marienberg, representando a san José como patrono de los afligidos, enfermos y moribundos. Entonces se fue a Straubing, donde aprendió a pintar frescos con , que se convertiría en la fuente principal de su fama posterior. Ayudó a Merz a pintar los frescos de la , y mientras en Straubing también pintó San Antonio de Padua para la allí. Después de este período, fue a Augsburgo, donde permaneció con durante seis años, y ganó considerable fama. Sus servicios estuvieron particularmente en demanda en Augsburgo por pintar frescos para edificios públicos y en los exteriores de las casas, aunque pocos quedan de estos. Entre sus obras en otros lugares se encuentran un fresco en la sala del jardín del , un retablo para la iglesia de los jesuitas en Eichstädt, un retablo representando a San Miguel en la iglesia abacial de , y un fresco en la en Garmisch-Partenkirchen. Sus últimas y más grandes obras son frescos para la . Al tiempo de su muerte, Clemente Augusto de Baviera le había encargado pintar frescos en la Hofkirche de , pero falleció en 1740 antes de llegar allí. (es)
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