Joan Kee is an art historian specializing in modern and contemporary art. Her book, Contemporary Korean Art: Tansaekhwa and the Urgency of Method, published by University of Minnesota Press in 2013, is credited with sparking global interest in Dansaekhwa, a major constellation of abstract paintings produced in South Korea from the 1960s. In 2014, she curated From All Sides: Tansaekhwa and the Urgency of Method, a group show of representative Tansaekhwa artists that was widely acclaimed. She has been cited as Tansaekhwa's most prominent Anglophone scholar. Kee teaches at the University of Michigan where she is Associate Professor in the History of Art. Her latest book, Models of Integrity: Art and Law in Post-Sixties America, was published February 2019. The book includes discussion of the
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