The Iyasile Naa, also known as The legacy, is a digital painting created by Ade Olufeko, a designer known for his multidisciplinary work on African social economics. The original artwork was created in 2013. It underwent enhancements in Lagos and was reissued in 2017 as a major collaboration project piece through an African conference at Oxford University. According to the Vanguard news, parts of the artwork were influenced by 1985's We Are the World music project. Legal experts suggest that the eventual buyer of the artwork's reissue cannot financially exploit the work until the year 2033, stating that all "proceeds at any time from sales will remain within the African economic system."
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| - The Iyasile Naa, also known as The legacy, is a digital painting created by Ade Olufeko, a designer known for his multidisciplinary work on African social economics. The original artwork was created in 2013. It underwent enhancements in Lagos and was reissued in 2017 as a major collaboration project piece through an African conference at Oxford University. According to the Vanguard news, parts of the artwork were influenced by 1985's We Are the World music project. Legal experts suggest that the eventual buyer of the artwork's reissue cannot financially exploit the work until the year 2033, stating that all "proceeds at any time from sales will remain within the African economic system." (en)
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| - What Ever Is Destroyed Is Created Again (en)
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| - Painting of the Legacy, 2017 version (en)
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| - (Berne Convention) - (for the Protection of Literary and Artistic Works) (en)
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| - Digital art painting titled Philosopher's Legacy, created by Ade Olufeko.jpg (en)
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| - Giclée
- Mixed media painting (en)
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| - Emerging economies, Charity work (en)
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| - The Iyasile Naa, also known as The legacy, is a digital painting created by Ade Olufeko, a designer known for his multidisciplinary work on African social economics. The original artwork was created in 2013. It underwent enhancements in Lagos and was reissued in 2017 as a major collaboration project piece through an African conference at Oxford University. According to the Vanguard news, parts of the artwork were influenced by 1985's We Are the World music project. Legal experts suggest that the eventual buyer of the artwork's reissue cannot financially exploit the work until the year 2033, stating that all "proceeds at any time from sales will remain within the African economic system." (en)
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