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Gamelan surakarta A typical large, double gamelan in contemporary solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang, one set of three to five kenong, one set of three to five kempul, one to three gong suwukan, and one gong ageng.

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  • Gamelan Surakarta (ca)
  • Gamelan surakarta (en)
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  • El gamelan Surakarta és el conjunt típic d'instruments que s'usen per interpretar música pura contemporània a Indonèsia. De grans dimensions, el constitueixen dos conjunts de gamelan, un afinat en slendro, constituït per un saron panerus (o saron peking), dos saron barung, un o dos saron demung, un gender panerus, un gender barung, un slentem (o gender panembung), un bonang panerus i un bonang barung (cadascun amb dotze gongs), un kayu gambang, un siter o celempung, un rebab, un , un parell de kethuk i kempyang, un joc de tres a cinc kenong, un joc de tres a cinc kempul, d'un a tres gong suwukan, i un gong ageng. (ca)
  • Gamelan surakarta A typical large, double gamelan in contemporary solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang, one set of three to five kenong, one set of three to five kempul, one to three gong suwukan, and one gong ageng. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Gamelan_ceremonial_Munggang,_Kraton_Surakarta.jpg
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  • October 2020 (en)
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  • El gamelan Surakarta és el conjunt típic d'instruments que s'usen per interpretar música pura contemporània a Indonèsia. De grans dimensions, el constitueixen dos conjunts de gamelan, un afinat en slendro, constituït per un saron panerus (o saron peking), dos saron barung, un o dos saron demung, un gender panerus, un gender barung, un slentem (o gender panembung), un bonang panerus i un bonang barung (cadascun amb dotze gongs), un kayu gambang, un siter o celempung, un rebab, un , un parell de kethuk i kempyang, un joc de tres a cinc kenong, un joc de tres a cinc kempul, d'un a tres gong suwukan, i un gong ageng. El conjunt complementari d'instruments de pelog inclourà dos de cada gender panerus, gender barung, gambang i siter o celempung, el primer de cada parell afinat segons el subconjunt pelog bem de cinc tons (tons 1,2,3,5,6), el segon segons subconjunt pelog barang de cinc tons (2,3,5,6,7). Els bonangs pelog tindran catorze gongs cadascun. El gamelan slendro i el pelog en general compartiran els tambors , incloent un ketipung, kendang ageng (o kendang gendhing), ciblon, kendang wayangan, i, en el gamelan més gran, un gran tambor penjant, el . Els conjunts arcaics poden incloure instruments com el , slento (en lloc del slentem) i el bonang panembung. Un conjunt típic inclou una cantant solista (pesinden) i un cor masculí (gerongan); en certs passatges, els cantants aplaudeixen rítmicament (keplok). (ca)
  • Gamelan surakarta A typical large, double gamelan in contemporary solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang, one set of three to five kenong, one set of three to five kempul, one to three gong suwukan, and one gong ageng. The complementary set of pelog instruments will include two each of gender panerus, gender barung, gambang and siter or celempung, the first of each pair tuned to the pelog bem subset of five tones (tones 1,2,3,5,6), the second to the pelog barang subset of five tones (2,3,5,6,7). The pelog bonang will each have fourteen gongs. The slendro and pelog gamelan will usually share the drums (kendang), including one each of ketipung, kendang ageng (or kendang gendhing), ciblon, kendang wayangan, and, in the largest gamelan, a large hanging drum, the bedug. Archaic ensembles may still include such instruments as the gambang gangsa, slentho (in place of slenthem), and bonang panembung. A typical performance ensemble includes a female vocal soloist (pesinden) and male chorus (gerongan); in certain passages, the singers clap rhythmically (keplok). (en)
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