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Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the palace to lull the king and his concubines to sleep. The ensemble includes suling, various small percussion instruments similar to sleigh bells and finger cymbals, and trompong - a row of small kettle gongs that play the mel

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  • Gamelan semar pegulingan (ca)
  • Gamelan semar pegulingan (en)
  • Semar pagulingan (in)
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  • El gamelan semar pegulingan'' és una antiga varietat de gamelan balinès. Datat de voltants del segle xvii, és més dolç i íntim que el conjunt més modern i popular anomenat gamelan gong kebyar. El semar pegulingan prové d'un conjunt antic de flautes anomenat que utilitza una escala de set tons. El semar pegulingan utilitza aquesta mateixa escala de set tons, la qual cosa li permet tocar diversos pathet (modes). El terme "semar" fa referència al Déu hindú de l'amor i "pegulingan" vol dir quelcom similar a "reposant". Originalment es tocava a prop dels dormitoris del palau per adormir al rei i a les seves concubines. El conjunt inclou , diversos petits instruments de percussió, com campanes i cròtals, i - una fila de petits gongs que toquen la melodia. (ca)
  • Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the palace to lull the king and his concubines to sleep. The ensemble includes suling, various small percussion instruments similar to sleigh bells and finger cymbals, and trompong - a row of small kettle gongs that play the mel (en)
  • Semar Pagulingan merupakan salah satu dari 26 jenis gamelan yang memiliki pola garap, warna suara, bentuk lagu, fungsi instrumen dan repertoar gending yang berbeda-berbeda. Perangkat gamelan ini terdiri dari instrumen-instrumen melodi berupa setungguh trompong, sepasang gender rambat, sepasang gender barangan, dua pasang pemade, dua pasang kantil, sepasang jublag, dua buah suling, dan sebuah rebab; instrumen ritmis yaitu, sepasang kendang krumpungan, sebuah kajar, sepancer genta-orag, dan sepangkon rincik; instrumen pengatur matra berupa sepasang jegongan, sebuah kempul, sebuah glenang dan sepasang gumamak. (in)
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  • El gamelan semar pegulingan'' és una antiga varietat de gamelan balinès. Datat de voltants del segle xvii, és més dolç i íntim que el conjunt més modern i popular anomenat gamelan gong kebyar. El semar pegulingan prové d'un conjunt antic de flautes anomenat que utilitza una escala de set tons. El semar pegulingan utilitza aquesta mateixa escala de set tons, la qual cosa li permet tocar diversos pathet (modes). El terme "semar" fa referència al Déu hindú de l'amor i "pegulingan" vol dir quelcom similar a "reposant". Originalment es tocava a prop dels dormitoris del palau per adormir al rei i a les seves concubines. El conjunt inclou , diversos petits instruments de percussió, com campanes i cròtals, i - una fila de petits gongs que toquen la melodia. Un tipus similar de conjunt, el gamelan pelegongan, substitueix el per un parell de gender rambat, amb els quals s'interpreta la melodia principal ornamentada (payasan). Aquest conjunt té per funció acompanyar un conjunt de danses conegudes com a . A l'època medieval deBali (1700-1906), el gamelan semar pegulingan era part important de les corts balineses. Acompanyava rituals de la cort i danses pendet a les cerimònies del temple, i també servia per relaxar a la família reial quan es tocava als vespres al santuari interior del palau. Queden molt pocs gamelans d'aquest tipus a Bali. Aquesta orquestra es fa servir sobretot per tocar peces instrumentals, ja que el repertori amb dansa es va perdre. L'orquestra inclou sarons jongkok, un joc de campanes en forma d'arbre , campanes tubulars anomenades i un, tots típics dels gamelans de la cort. (ca)
  • Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the palace to lull the king and his concubines to sleep. The ensemble includes suling, various small percussion instruments similar to sleigh bells and finger cymbals, and trompong - a row of small kettle gongs that play the melody. A similar type of ensemble, Gamelan Pelegongan, substitutes a pair of gendérs for the trompong as the melody carrier and plays the music for a set of dances known as legong. In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts. Accompanying court rituals and pendet dances at temple ceremonies, Semar pegulingan also served to lull the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan. (en)
  • Semar Pagulingan merupakan salah satu dari 26 jenis gamelan yang memiliki pola garap, warna suara, bentuk lagu, fungsi instrumen dan repertoar gending yang berbeda-berbeda. Perangkat gamelan ini terdiri dari instrumen-instrumen melodi berupa setungguh trompong, sepasang gender rambat, sepasang gender barangan, dua pasang pemade, dua pasang kantil, sepasang jublag, dua buah suling, dan sebuah rebab; instrumen ritmis yaitu, sepasang kendang krumpungan, sebuah kajar, sepancer genta-orag, dan sepangkon rincik; instrumen pengatur matra berupa sepasang jegongan, sebuah kempul, sebuah glenang dan sepasang gumamak. Pada mulanya Semar Pagulingan hanya terdapat di puri-puri untuk mengiringi raja-raja ke peraduan dan untuk keperluan upacara. Memudarnya kekuasaan raja-raja pada tahun 1909 mengakibatkan berkurangan perhatian puri terhadap kelangsungan hidup kesenian termasuk Semar Pagulingan. Semar Pagulingan memiliki bunyi yang nyaring. (in)
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