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About: Francisco de Salinas     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRenaissanceComposers, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatBlindMusiciansyago:WikicatCastilian-LeoneseMusiciansyago:WikicatMusicTheoristsyago:WikicatPeopleFromBurgosyago:WikicatSpanishClassicalOrganistsyago:WikicatSpanishComposersyago:WikicatSpanishMusicTheoristsyago:WikicatSpanishMusiciansyago:WikicatSpanishOrganistsyago:Artist109812338yago:CausalAgent100007347yago:Composer109947232yago:Creator109614315yago:Entertainer109616922yago:Intellectual109621545yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Organist110382825yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Theorist110706812yago:Whole100003553yago:Wikicat16th-centuryMusiciansyago:WikicatRenaissanceComposers New Facet based on Instances of this Class

Francisco de Salinas (1513, Burgos – 1590, Salamanca) was a Spanish music theorist and organist, noted as among the first to describe meantone temperament in mathematically precise terms, and one of the first (along with Guillaume Costeley) to describe, in effect, 19 equal temperament. In his De musica libri septem of 1577 he discusses 1/3-, 1/4- and 2/7-comma meantone tunings. Of 1/3-comma meantone, which is essentially identical to the meantone of 19-et, he remarks that it is "languid" but not "offensive to the ear", and he notes that a keyboard of 19 tones to the octave suffices to give a circulating version of meantone.