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In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into ". It is used in tonal and atonal music, and is a common method of localized development and closure.

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  • Fragmentation (music) (en)
  • 裁截 (zh)
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  • 在音乐里，裁截（英语: fragmentation）是指乐思在发展中，根据音乐的需要进行片段化地保留。尤其多用在音乐的发展段中，并且经常伴随其他主题发展手法，如重复、模进等一起使用。如贝多芬《f小调第一钢琴奏鸣曲》第一乐章开始主题，其8小节主题的小结构可分为2+2+1+1+2。在这里主题发展手法同时包括了模进、重复和裁截等。我们可以看到第5和第6小节分别是第1-2和3-4小节的裁截式重复。第7-8小节是这一主题通过裁截、模进达到高点后的结束。 (zh)
  • In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into ". It is used in tonal and atonal music, and is a common method of localized development and closure. (en)
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  • In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into ". It is used in tonal and atonal music, and is a common method of localized development and closure. Fragmentation is related to Arnold Schoenberg's concept of , a common compositional technique that describes the reduction of a large-scale musical idea to its essential form (such as a contour line, a specific harmonic motion, or the like). Liquidation shapes much thematically-driven music, such as that by Béla Bartók, Stravinsky, and Schoenberg himself. It is important to understand that, although they are related, fragmentation and liquidation are separate processes and concepts. (en)
  • 在音乐里，裁截（英语: fragmentation）是指乐思在发展中，根据音乐的需要进行片段化地保留。尤其多用在音乐的发展段中，并且经常伴随其他主题发展手法，如重复、模进等一起使用。如贝多芬《f小调第一钢琴奏鸣曲》第一乐章开始主题，其8小节主题的小结构可分为2+2+1+1+2。在这里主题发展手法同时包括了模进、重复和裁截等。我们可以看到第5和第6小节分别是第1-2和3-4小节的裁截式重复。第7-8小节是这一主题通过裁截、模进达到高点后的结束。 (zh)
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