Felicia Meyer (1912–1978) was an American painter known for her landscapes, city scenes, and portraits. Her style was realist. She lived part of the year in Manhattan and part in southern Vermont and her paintings depict subjects from both locales. During the 1930s and 1940s her work appeared frequently in group exhibitions and she was given solo exhibitions intermittently between 1942 and 1974. Early in her career a New York critic called her paintings "coherent" and "deeply unified," and after her death the art historian, Lloyd Goodrich, wrote that "her landscapes, with their sense of nature's life, their freshness and delicacy, and their unostentatious skill, were pervaded with a lyrical poetry of a very personal kind."
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| - فيليتسيا ماير (ar)
- Felicia Meyer (en)
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| - فيليتسيا ماير (بالإنجليزية: Felicia Meyer Marsh) هي فنانة تشكيلية أمريكية، ولدت في 1912، وتوفيت في 1978. (ar)
- Felicia Meyer (1912–1978) was an American painter known for her landscapes, city scenes, and portraits. Her style was realist. She lived part of the year in Manhattan and part in southern Vermont and her paintings depict subjects from both locales. During the 1930s and 1940s her work appeared frequently in group exhibitions and she was given solo exhibitions intermittently between 1942 and 1974. Early in her career a New York critic called her paintings "coherent" and "deeply unified," and after her death the art historian, Lloyd Goodrich, wrote that "her landscapes, with their sense of nature's life, their freshness and delicacy, and their unostentatious skill, were pervaded with a lyrical poetry of a very personal kind." (en)
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| - Maple Hill Cemetery, Dorset, Vermont (en)
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| - Felicia Meyer, Self Portrait, 1940 (en)
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| - Painter of landscapes and portraits (en)
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| - فيليتسيا ماير (بالإنجليزية: Felicia Meyer Marsh) هي فنانة تشكيلية أمريكية، ولدت في 1912، وتوفيت في 1978. (ar)
- Felicia Meyer (1912–1978) was an American painter known for her landscapes, city scenes, and portraits. Her style was realist. She lived part of the year in Manhattan and part in southern Vermont and her paintings depict subjects from both locales. During the 1930s and 1940s her work appeared frequently in group exhibitions and she was given solo exhibitions intermittently between 1942 and 1974. Early in her career a New York critic called her paintings "coherent" and "deeply unified," and after her death the art historian, Lloyd Goodrich, wrote that "her landscapes, with their sense of nature's life, their freshness and delicacy, and their unostentatious skill, were pervaded with a lyrical poetry of a very personal kind." (en)
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