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About: Emanuel Vidović     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleFromSplit,Croatia, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonArtistHumanAnimalyago:WikicatArtNouveauIllustratorsyago:WikicatArtNouveauPaintersanimaleukaryotespeciesyago:WikicatCroatianIllustratorsyago:WikicatCroatianPaintersschema:Personyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Illustrator109812068yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Whole100003553yago:WikicatPeopleFromSplit,Croatia New Facet based on Instances of this Class

Emanuel Božidar Vidović (24 December 1870 – 1 June 1953) was a Croatian painter and graphic artist from Split. Emanuel Vidović was instrumental in bringing the modern art ideas to Split. From 1900 he was an active member of the Literary-Art Club, and in 1907, together with Ivan Meštrović, he founded the Medulić Society. Though he had trained at the Academy of Arts in Venice, he never completed his formal studies, preferring instead to paint scenes of Venice – interiors, views of canals, lagoons and motifs from around the town of Chioggia. In 1898, he returned to his home city of Split, bringing new ideas of post-impressionist style light and intense colour. He painted plein air landscapes, and more stylized, larger canvases back in his studio. His early work contained literary allusions to